美国人对曼奇尼的认可

Bulletin of the Detroit Museum of Art Pub Date : 1916-05-01 DOI:10.1086/bulldetmusart41934585

Christian S. Brinton

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引用次数: 0

摘要

克里斯汀·布林顿(Christian Brinton)在《底特律艺术博物馆》(Detroit Museum of Art) 4月刊上发表的一篇关于安东尼奥·曼奇尼(Antonio Mancini)的文章中，出现了这样一句话:“卡内基研究所(Carnegie Institute)断断续续地欢迎他，巴拿马-太平洋博览会(巴拿马-太平洋博览会)上他的出场机会寥寥无几，这是迄今为止他在我们中间得到官方认可的唯一迹象。”大都会艺术博物馆(Metropolitan Museum of Art)馆长爱德华·罗宾逊(Edward Robinson)先生好心地纠正了这一点:“我们博物馆收藏了多年，其中一个展厅仍在展出曼奇尼的早期作品《马戏团男孩》(the Circus Boy)，它是1892年理查德·科尔斯夫人(Richard Coles)遗赠给我们的。这是一幅迷人的画，我不愿认为像布林顿先生这样的权威忽视了这幅画。”

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AMERICAN RECOGNITION OF MANCINI

In the article on Antonio Mancini, by Christian Brinton, in the Detroit Museum of Art bulletin for April, this phrase occurs: "The intermittent welcome accorded him by the Carnegie Institute, and the meagre representation vouchsafed him at the Panama-Pacific Exposition, are thus far the only signs of official recognition which he has found in our midst." Mr. Edward Robinson, Director of the Metropolitan Museum of Art, is so kind as to send this correction: "We have had for many years in this Museum, and still have on exhibition in one of our galleries, an early work of Mancini's, ' The Circus Boy ,' which came to us as part of a bequest from Mrs. Richard Coles in 1892. It is a charming picture and I do not like to think it has been neglected by such an authority as Mr. Brinton."

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