利赫文多布里修道院的代表性圣像:年代、类型学、圣像学、风格特征

Valentin Golubev
{"title":"利赫文多布里修道院的代表性圣像:年代、类型学、圣像学、风格特征","authors":"Valentin Golubev","doi":"10.15382/sturv202247.136-157","DOIUrl":null,"url":null,"abstract":"The article is devoted to the “podnosnoy” with the view of the Likhvin Dobryi Monastery of Intercession of Theotokos near Kaluga from the collection of the Andrey Rublev Central Museum of Ancient Russian Culture and Art (CMAR): the dating of the monument is specified, its typology is determined, the iconography and style are characterized. Due to the information about chronology of construction transformations carried out in the monastery it is possible to date the icon with the time range of 1818-1832. The lower dating limit is based on the stylistic features of this icon are formed by influence of architectural drawing from 1818. The upper limit determined due to the typological characteristics of the icon as a gift (testimonial icon) for a special important person in memory of the solemn consecration of the renovated monastery ensemble in 1832. The typological characteristic of the monument as a special gift is supported by a number of iconographic and typological analogies. The iconographic program of the icon shows the principles of compositional constructing of \"podnosnoy\" (tray) and \"razdatochnyy\"(handout) icons: the pictorial surface is divided into two parts; at the bottom a panoramic view of the city or monastery placed, and at the top of it there are celestial patrons. Taking into account the administrative dependence of the Likhvin Dobryi Monastery from the Kaluga diocese and comparing the icon with a number of dated works close to it in style, it was possible to place them in the circle of works of the Kaluga icons and artistic context of Empire era. A number of these analogies constitutes a separate stylistic line of this regional artistic tradition: it is distinguished by delicate coloring, sentimentality and classical restraint.","PeriodicalId":212447,"journal":{"name":"St. Tikhons' University Review. Series V. Christian Art","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Presentational icon with a view of Likhvin Dobryi monastery: dating, typology, iconography, stylistic features\",\"authors\":\"Valentin Golubev\",\"doi\":\"10.15382/sturv202247.136-157\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is devoted to the “podnosnoy” with the view of the Likhvin Dobryi Monastery of Intercession of Theotokos near Kaluga from the collection of the Andrey Rublev Central Museum of Ancient Russian Culture and Art (CMAR): the dating of the monument is specified, its typology is determined, the iconography and style are characterized. Due to the information about chronology of construction transformations carried out in the monastery it is possible to date the icon with the time range of 1818-1832. The lower dating limit is based on the stylistic features of this icon are formed by influence of architectural drawing from 1818. The upper limit determined due to the typological characteristics of the icon as a gift (testimonial icon) for a special important person in memory of the solemn consecration of the renovated monastery ensemble in 1832. The typological characteristic of the monument as a special gift is supported by a number of iconographic and typological analogies. The iconographic program of the icon shows the principles of compositional constructing of \\\"podnosnoy\\\" (tray) and \\\"razdatochnyy\\\"(handout) icons: the pictorial surface is divided into two parts; at the bottom a panoramic view of the city or monastery placed, and at the top of it there are celestial patrons. Taking into account the administrative dependence of the Likhvin Dobryi Monastery from the Kaluga diocese and comparing the icon with a number of dated works close to it in style, it was possible to place them in the circle of works of the Kaluga icons and artistic context of Empire era. A number of these analogies constitutes a separate stylistic line of this regional artistic tradition: it is distinguished by delicate coloring, sentimentality and classical restraint.\",\"PeriodicalId\":212447,\"journal\":{\"name\":\"St. Tikhons' University Review. Series V. Christian Art\",\"volume\":\"28 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"St. Tikhons' University Review. Series V. Christian Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15382/sturv202247.136-157\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"St. Tikhons' University Review. Series V. Christian Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15382/sturv202247.136-157","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本文致力于“podnosnoy”,从Andrey Rublev古代俄罗斯文化艺术中央博物馆(CMAR)收集的卡卢加附近的Likhvin Dobryi Theotokos代求修道院的观点:指定了纪念碑的日期,确定了其类型,确定了图像和风格特征。根据修道院建筑改造的年表信息,可以将圣像的年代确定为1818-1832年。下限是基于这个图标的风格特征,这是由1818年的建筑图纸的影响形成的。上限的确定是由于该图标作为礼物(见证图标)的类型学特征,以纪念1832年修复的修道院合集的庄严奉献。纪念碑作为一种特殊礼物的类型学特征得到了许多肖像学和类型学类比的支持。图标的图像程序显示了“podnosnoy”(托盘)和“razdatochnyy”(讲义)图标的构图构造原则:图像表面分为两部分;底部是城市或修道院的全景,顶部是天上的赞助人。考虑到Likhvin Dobryi修道院对卡卢加教区的行政依赖,并将该图标与许多风格接近的过时作品进行比较,有可能将它们置于卡卢加图标和帝国时代艺术背景的作品圈中。这些类比构成了这一地区艺术传统的独立风格路线:它以细腻的色彩,感伤和古典的克制而闻名。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Presentational icon with a view of Likhvin Dobryi monastery: dating, typology, iconography, stylistic features
The article is devoted to the “podnosnoy” with the view of the Likhvin Dobryi Monastery of Intercession of Theotokos near Kaluga from the collection of the Andrey Rublev Central Museum of Ancient Russian Culture and Art (CMAR): the dating of the monument is specified, its typology is determined, the iconography and style are characterized. Due to the information about chronology of construction transformations carried out in the monastery it is possible to date the icon with the time range of 1818-1832. The lower dating limit is based on the stylistic features of this icon are formed by influence of architectural drawing from 1818. The upper limit determined due to the typological characteristics of the icon as a gift (testimonial icon) for a special important person in memory of the solemn consecration of the renovated monastery ensemble in 1832. The typological characteristic of the monument as a special gift is supported by a number of iconographic and typological analogies. The iconographic program of the icon shows the principles of compositional constructing of "podnosnoy" (tray) and "razdatochnyy"(handout) icons: the pictorial surface is divided into two parts; at the bottom a panoramic view of the city or monastery placed, and at the top of it there are celestial patrons. Taking into account the administrative dependence of the Likhvin Dobryi Monastery from the Kaluga diocese and comparing the icon with a number of dated works close to it in style, it was possible to place them in the circle of works of the Kaluga icons and artistic context of Empire era. A number of these analogies constitutes a separate stylistic line of this regional artistic tradition: it is distinguished by delicate coloring, sentimentality and classical restraint.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Why is Jonah awake? An interpretation of the early Christian sarcophagus from the British museum in the modern art history Yaroslavl traditions in the classicist period of church wall-painting in Tver region "Now the Powers of Heavens invisibly serve with us…". On the history of the liturgical plots in mediaeval Russian art Annunciation church of Savior-Euthymius monastery in Suzdal. The question of dating Stylistic features of Karelian icon painting of the 17th — 18th centuries based on the material of hagiographic icons dedicated to st. Nicholas
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1