神奇女侠:20世纪40年代的女权主义偶像

A. Delaney
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引用次数: 4

摘要

我研究超级女英雄神奇女侠的目的是为了确定漫画创作的环境,为什么它的创作者要使用漫画的媒介,他试图向美国社会传达关于女性角色的信息,以及为什么它从20世纪40年代到现在一直保持着它的粉丝群。我对女权主义和图像分析的运用为我提供了丰富的信息,让我了解这个前卫的漫画系列是如何用讽刺的形象和轻蔑的文字挑战人们普遍接受的关于女性的传统的。创作者威廉·莫尔顿·马斯顿与漫画家哈利·彼得合作,在他们的《神奇女侠》漫画中掀起了一股女权主义的微妙浪潮,帮助了20世纪40年代的女性赋权时代。文字与艺术品形成了一个有凝聚力的整体,创作团队可以在这个整体上灌输他们对当代社会的看法。神奇女侠的形象给了男人和女人一个象征,如果她拥有社会、政治和性自主权,她就能做到什么。我得出的结论是,在创作之时,马斯顿在他的同时代人中灌输了一个意志坚强的女性形象,他希望有一天能超越传统上普遍顺从的形象,而不仅仅是在漫画领域。
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Wonder Woman: Feminist Icon of the 1940s
The purpose of my research concerning the super heroine Wonder Woman is to identify the circumstances under which the comic was created, why its creator was set on using the medium of comics, the messages he was trying to communicate to American society regarding the roles of women, and why it has maintained its fan base from the 1940s to the present. My use of feminist and iconographic analysis provided me with a wealth of information concerning how this avant-garde comic series contested the widely accepted conventions concerning women with its sarcastic images and pejorative text. Creator William Moulton Marston in collaboration with comic artist Harry Peter set into motion a wave of feminist nuances within their comic run of Wonder Woman that aided the epoch of female empowerment during the 1940s. The text coupled with the artwork created a cohesive whole upon which the creative team could instill their views on contemporary society. Wonder Woman's personage gave both men and women an icon of what a woman was capable of should she possess an air of social, political, and sexual autonomy. I came to the conclusion that upon creation, Marston infused an image of a strong-willed woman among his contemporaries that he hoped would one day overtake its widely traditional submissive counterpart, and not only in the realm of comics.
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