Sinsai Roo Jai Ton项目对泰国东北部当地文化和当代表演发展的影响

Pachaya Akkapram
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摘要

本文讨论了2016年至2019年孔敬大学Sinsai Roo Jai Ton研究项目的各种影响。该项目是由泰国东北部(Isan)的大学生与当地艺术家合作设计的木偶表演,通过与Isan社区的当地艺术家合作,启发了许多其他对木偶表演感兴趣的团体。除了合作表演,该项目还培养了参与项目的学生的新兴趣,并帮助开发了新的教学和研究类型,并利用当地伊桑社区的艺术材料创作当代表演,如叙事、故事、民间歌唱和演奏音乐、壁画、民间舞蹈、传统和仪式。通过使用现代戏剧/戏剧概念和技术作为工具,寻找创造性的方法来呈现新的当代表演,向观众传达新的声音,思想和美学,并塑造新的Isan身份模式。
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The Impact of the Sinsai Roo Jai Ton Project on the Development of Local Culture and Contemporary Performance in Northeastern Thailand
This article discusses the diverse impacts of the Sinsai Roo Jai Ton research project based at Khon Kaen University from 2016 to 2019. Designed as a puppet performance by university students working with local artists in northeastern Thailand (Isan), the project inspired many other groups interested in making puppet performances by collaborating with local artists in Isan communities. Beyond collaborative performances, the project developed new interests in students who participated in the project and helped develop new types of teaching and learning, of research, and creating contemporary performances from artistic materials in local Isan communities such as narratives, stories, folk singing and playing music, murals, folk-dance, traditions and rituals, by using modern drama/theatre concepts and techniques as tools to find creative methods to present a new contemporary performance, to communicate new voices, ideas and aesthetics to audiences and to shape new modes of Isan identity.
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