Indefinately: Indefinately

Chenxin Zhang, Lesi Hu
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引用次数: 0

摘要

这个作品“无限”地讲述了地球和未来城市污染的缩影。在当代社会,人与人之间建起了高墙,生活在城市里的人基本上都是复制品。我们用VR技术在VR头盔中创造一个超现实的世界,关注精神污染和环境污染。在这个模糊的世界里,人们如何在虚无的迷宫中找到自己?实验者通过墓林、酸雨荒地和雾蒙蒙的村庄三个场景,用手柄了解过去人类的疾病、灾害和污染[Ypsilanti et al., 2018]。他们也捡起了代表希望的“卢卡斯”的照片碎片,感受到了迷失在精神迷宫中的恐惧。在这个场景中,他们变成了灵魂迷失和被污染的穷人。在场景的最后,实验者找到了一扇充满希望的门,捡起了卢卡斯的所有碎片,在出发前给卢卡斯和他的女儿拍了一张合影,结束了旅程。
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Indefinately:Indefinately
This work "indefinitely" tells the epitome of the earth and future urban pollution. In contemporary society, high walls have been built between people, and people living in cities are basically replicas. We use VR technology to create a surreal world in VR helmets, focusing on spiritual pollution and environmental pollution. In this ambiguous world, how can people find themselves in the bustling maze of nothingness? Through the three scenes of tomb forest, acid rain wasteland and hazy village, the experimenter uses the handle to understand human diseases, disasters and pollution in the past[Ypsilanti et al., 2018].They also picked up the photo fragments of "Lucas" representing hope and felt the fear of being lost in the spiritual maze. In this scene, they become poor people who are lost and polluted in their souls. At the end of the scene, the experimenter found a door full of hope, picked up all the fragments of Lucas, took a group photo of Lucas and his daughter before departure, and ended the journey.
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