点评:汇总/订单

Yoli Terziyska
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引用次数: 0

摘要

DEMOCRACIA/ORDER:车站当代艺术博物馆。德克萨斯州休斯顿:2019年4月27日至8月18日。DEMOCRACIA/ORDER是今年早些时候在德克萨斯州休斯顿的车站当代艺术博物馆举办的个展。它展示了由艺术家Ivan Lopez和Pablo Espana组成的西班牙艺术团体DEMOCRACIA的两个系列。两位艺术家自2006年开始合作,并不断创作挑战社会政治现状的项目。他们的实践采用了极左翼的方式,旨在让观众面对一些令人不安的话题,比如民主的失败、社会不平等、盲目的消费主义和作为压迫机器的国家,同时指出我们在这些问题上的懒惰自满。展览中的一个系列包括一部由三部分组成的歌剧电影《ORDER》(2018),并配有一个装置,展示了从电影每个部分捕捉的表演中借来的照片、视频剧照、海报和其他短暂的东西。《ORDER》与装置作品《We Protect You from ourselves》(2013-18)一同展出。这次展览旨在谴责当代资本主义、社会经济不平等和民主政治的失败。这部电影在一个黑暗的房间里放映,这个房间与“我们保护你免受你们自己的伤害”装置以及“秩序”装置的其他组件隔开。在进入放映区之前,观众们会经过摆放在展览空间地板上的电影遗物,或者与电影剧照和摄影文献一起挂在博物馆墙上的盒子框里。策展人选择在…
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Review: DEMOCRACIA/ORDER
DEMOCRACIA/ORDER : Station Museum of Contemporary Art. Houston, Texas: April 27–August 18, 2019. DEMOCRACIA/ORDER was a solo exhibition that took place earlier this year at the Station Museum of Contemporary Art in Houston, Texas. It featured two series by the Spanish art collective DEMOCRACIA, formed by artists Ivan Lopez and Pablo Espana. The two artists have collaborated since 2006 and have consistently created projects that challenge the sociopolitical status quo. Their practice's hard-left approach aims to confront their audiences with uncomfortable topics such as the failure of democracy, social inequality, mindless consumerism, and the state as an apparatus of oppression, while pointing to our indolent complacency in regard to these issues. One of the series in the exhibition included a three-part operatic film titled ORDER (2018), accompanied by an installation that presented photographs, video stills, placards, and other ephemera borrowed from the performances captured in each part of the film. ORDER was shown alongside works from the installation We Protect You From Yourselves (2013–18). The exhibition sought to condemn contemporary capitalism, socioeconomic inequalities, and the failure of democratic politics. The film was shown in a dark room separated by a curtain from the We Protect You From Yourselves installation as well as from the other components of the ORDER installation. Before entering the screening area, viewers passed by the film's relics laid out on the floor of the exhibit space, or mounted in box frames on the museum's walls alongside film stills and photographic documentation. The curatorial choice to present the series in …
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