{"title":"食物与饥荒","authors":"Hillary Kaell","doi":"10.23943/PRINCETON/9780691201467.003.0005","DOIUrl":null,"url":null,"abstract":"This chapter explores shock imagery in late nineteenth-century missions and the First World War. When war struck, relief organizations proliferated on a scale that far outstripped previous humanitarian interventions. Among the tools they mobilized was sponsorship. The chapter discusses two programs: Near East Relief (NER) and Fatherless Children of France (FCF). Like many equivalent organizations, they operated out of New York City, were non-sectarian, and championed by elite donors. The chapter then focuses on new visual media, especially photography, that bolstered U.S. Christians' ability to incorporate absent/present children into the intimate spaces of family life, while honing a god's eye view of the world. It considers this visual media together with visceral (embodied) techniques as collaborative tools in emergency relief.","PeriodicalId":313201,"journal":{"name":"Christian Globalism at Home","volume":"06 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Food and Famine\",\"authors\":\"Hillary Kaell\",\"doi\":\"10.23943/PRINCETON/9780691201467.003.0005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores shock imagery in late nineteenth-century missions and the First World War. When war struck, relief organizations proliferated on a scale that far outstripped previous humanitarian interventions. Among the tools they mobilized was sponsorship. The chapter discusses two programs: Near East Relief (NER) and Fatherless Children of France (FCF). Like many equivalent organizations, they operated out of New York City, were non-sectarian, and championed by elite donors. The chapter then focuses on new visual media, especially photography, that bolstered U.S. Christians' ability to incorporate absent/present children into the intimate spaces of family life, while honing a god's eye view of the world. It considers this visual media together with visceral (embodied) techniques as collaborative tools in emergency relief.\",\"PeriodicalId\":313201,\"journal\":{\"name\":\"Christian Globalism at Home\",\"volume\":\"06 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Christian Globalism at Home\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.23943/PRINCETON/9780691201467.003.0005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Christian Globalism at Home","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23943/PRINCETON/9780691201467.003.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter explores shock imagery in late nineteenth-century missions and the First World War. When war struck, relief organizations proliferated on a scale that far outstripped previous humanitarian interventions. Among the tools they mobilized was sponsorship. The chapter discusses two programs: Near East Relief (NER) and Fatherless Children of France (FCF). Like many equivalent organizations, they operated out of New York City, were non-sectarian, and championed by elite donors. The chapter then focuses on new visual media, especially photography, that bolstered U.S. Christians' ability to incorporate absent/present children into the intimate spaces of family life, while honing a god's eye view of the world. It considers this visual media together with visceral (embodied) techniques as collaborative tools in emergency relief.