{"title":"音乐之美","authors":"E. Brattico, Vinoo Alluri","doi":"10.1093/oso/9780197513620.003.0033","DOIUrl":null,"url":null,"abstract":"This chapter provides a behind-the-scenes account of the birth of a naturalistic approach to the neuroscience of the musical aesthetic experience. The story starts from a lab talk giving the inspiration to translate the naturalistic paradigm initially applied to neuroimaging studies of the visual domain into music research. The circumstantial co-presence of neuroscientists and computational musicologists at the same center did the trick, permitting the identification of controlled variables for brain signal processing from the automatic extraction of the acoustic features of real music. This approach is now well accepted by the music neuroscience community while still waiting for full exploitation by aesthetic research.","PeriodicalId":335128,"journal":{"name":"Brain, Beauty, and Art","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Music in All Its Beauty\",\"authors\":\"E. Brattico, Vinoo Alluri\",\"doi\":\"10.1093/oso/9780197513620.003.0033\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter provides a behind-the-scenes account of the birth of a naturalistic approach to the neuroscience of the musical aesthetic experience. The story starts from a lab talk giving the inspiration to translate the naturalistic paradigm initially applied to neuroimaging studies of the visual domain into music research. The circumstantial co-presence of neuroscientists and computational musicologists at the same center did the trick, permitting the identification of controlled variables for brain signal processing from the automatic extraction of the acoustic features of real music. This approach is now well accepted by the music neuroscience community while still waiting for full exploitation by aesthetic research.\",\"PeriodicalId\":335128,\"journal\":{\"name\":\"Brain, Beauty, and Art\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Brain, Beauty, and Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780197513620.003.0033\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Brain, Beauty, and Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780197513620.003.0033","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter provides a behind-the-scenes account of the birth of a naturalistic approach to the neuroscience of the musical aesthetic experience. The story starts from a lab talk giving the inspiration to translate the naturalistic paradigm initially applied to neuroimaging studies of the visual domain into music research. The circumstantial co-presence of neuroscientists and computational musicologists at the same center did the trick, permitting the identification of controlled variables for brain signal processing from the automatic extraction of the acoustic features of real music. This approach is now well accepted by the music neuroscience community while still waiting for full exploitation by aesthetic research.