Andreea Mihaela Marinaș
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摘要

本文的目的是分析Gherasim Luca诗歌的壮观特征。更具体地说,研究从他的诗歌中产生壮观的东西开始:诗歌的情色和广告特征。本研究旨在分析和解释诗歌的情色性如何通过其广告维度(意思是诗歌像广告一样突出女性和情色场景)为Gherasim Luca的诗歌提供壮观的维度。这两个领域(情色和语言的创造性功能)的融合创造了壮观,将性从亲密转移到公众,就像广告在公共场合突出亲密的元素一样。这项研究是基于一些情色感,这些情色感来自最重要的理论研究,如乔治·巴塔耶、安德烈·布列塔尼和奥克塔维奥·帕斯。同时,对卢卡诗歌中的女性形象和性取向进行了探讨。
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Gherasim Luca – O Poetică Spectaculară
Abstract The purpose of this paper is to analyse the spectacular features of Gherasim Luca’s poetry. More specifically, the research starts from what generates the spectacular in his poetry: the erotica and the advertising feature of the poems. This study intends to analyse and explain how the eroticism of poetry, by its advertising dimension (meaning that poetry highlights the woman and erotic scenes like an advertising) offers to Gherasim Luca’s poetry the spectacular dimension. The blend of the two areas (erotica and the conative function of language) creates the spectacular, transferring sexuality from intimacy to the public, just as an advertising highlights in public an element of intimacy. The research is based on some senses of eroticism, from the most important theoretical studies, as Georges Batailles, André Breton and Octavio Paz. Also, there are discussed the images of the woman and the sexual deviations in Gherasim Luca’s poems.
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