波尔菲里·彼得罗维奇在《罪与罚的情节》中扮演苏格拉底

Nina S. Ishchenko
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引用次数: 0

摘要

对话在陀思妥耶夫斯基作品中的重要作用,使我们有可能求助于另一位公认的哲学对话大师柏拉图的哲学来分析他的人物。在20世纪,柏拉图哲学研究的戏剧范式正在积极发展,并特别关注对话中涉及的人物,时间,地点和环境,作为更好地理解柏拉图思想深度的可能性。本文用同样的方法来解读《罪与罚》中人物的行为。本文从戏剧范式的角度分析了小说中的两个人物:拉斯柯尔尼科夫和波菲里·彼得罗维奇。他们的形象和互动是根据柏拉图式的主要情节建立的,即圣人苏格拉底和一个被他强迫放弃计划的雄心勃勃的年轻人之间的对话。类似的情节在柏拉图的几篇对话中都有所发展,在苏格拉底著名弟子亚西比德的命运中尤为明显。亚西比德是古代历史上著名的“拿破仑式”英雄,为了实现自己的目标,他不惜血债。拉斯柯尔尼科夫在一篇引起波尔菲里·彼得罗维奇注意的文章中提到了这些人。拉斯柯尔尼科夫还指出,这些人往往死于与社会的冲突,这发生在亚西比德身上。这些因素使我们可以把拉斯柯尔尼科夫本人看作小说情节中的亚西比德。在与波菲里·彼得罗维奇的三次对话中,拉斯柯尔尼科夫改变了他的观点,放弃了他的主张,服从了法律。亚西比德在和苏格拉底谈话后也有同样的表现。除了这个主要的戏剧性时刻之外,Porfiry Petrovich与苏格拉底还有几个共同的特征,比如他的外表,变形,以及了解人类灵魂的愿望。因此,在形象、思想和功能上,Porfiry Petrovich扮演了情节中的苏格拉底,寻求一个比他的前辈更成功的雄心勃勃的年轻人的重生。
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Porfiry Petrovich as Socrates in the Plot of Crime and Punishment
The important role of dialogism in Dostoevsky’s work makes it possible to turn to the philosophy of Plato, another recognized master of philosophical dialogue, for the analysis of his characters. In the twentieth century, the dramatic paradigm of the study of Platonic philosophy is actively developing, and special attention is paid to the characters involved, time, place, and circumstances of the dialogues, as a possibility to better understand the depth of Plato’s thought. The same approach is used in the article to read the behavior of the characters in Crime and Punishment. In this piece of research, two characters of the novel are analyzed within the framework of the dramatic paradigm: Raskolnikov and Porfiry Petrovich. It is shown that their images and interaction are built according to the main Platonic plot, that is, the conversation between the sage Socrates and a young ambitious man that is forced by him to abandon his plans. A similar plot is developed in several dialogues of Plato and is especially pronounced in the fate of Alcibiades, the famous disciple of Socrates. Alcibiades is a well-known “Napoleonic” hero in ancient history, easily stepping over blood for the sake of his goals. Raskolnikov writes about such people in the article that attracted the attention of Porfiry Petrovich. Raskolnikov also notes that such people often die in collision with society, which happened to Alcibiades. These elements allow us to consider Raskolnikov himself as Alcibiades in the plot of the novel. During three dialogues with Porfiry Petrovich, Raskolnikov changes his views, renounces his claims, and obeys the law. Alcibiades behaved in the same way after his conversations with Socrates. In addition to this main dramatic moment, Porfiry Petrovich has several common features with Socrates, such as his appearance, metamorphism, and the desire to know the human soul. Thus, in terms of image, ideas, and functions, Porfiry Petrovich acts as the Socrates of the plot, seeking the rebirth of a young ambitious man with greater success than his ancient counterpart.
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