女调查员:

Šárka Bubíková, Olga Roebuck
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引用次数: 0

摘要

虽然犯罪小说在其历史的大部分时间里似乎都是纯男性化的,但寻找女性犯罪小说根源的女权主义评论家们发现,女性犯罪作家和女性侦探都有着丰富的历史。自20世纪80年代以来,不仅对犯罪小说的兴趣明显复苏,而且女性作家创作的女侦探也大量涌现。本文以罗伯特·加尔布雷斯、丹尼斯·米娜、琳达·巴恩斯、达纳·斯塔贝诺和s·j·罗赞的作品为重点,探讨了传统的男性私家侦探亚类型如何适应女性主角。比较各种各样的主角和叙事策略,它进一步认为,也许矛盾的是,最初占主导地位的男性硬派传统似乎很好地适应了女性(甚至女权主义者)的挪用。
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Female Investigators:
While the crime genre may have seemed as purely masculine for the greater part of its history, feminist critics looking for the roots of female crime writing have found a rich history of both the woman crime writer as well as the woman detective. Since the 1980s there has been not only a pronounced resurgence of interest in crime fiction, but also a boom of female detectives created by female writers. Focusing on works by Robert Galbraith, Denise Mina, Linda Barnes, Dana Stabenow and S. J. Rozan, this article explores some of the ways the traditionally masculine private eye subgenre can be appropriated to accommodate a female protagonist. Comparing a variety of protagonists and narrative strategies, it further argues that, perhaps paradoxically, the originally dominantly masculine hardboiled PI tradition seems well accommodating to female (even feminist) appropriations.
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