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摘要

本研究是关于Lagaan,它是世界电影中最顶级的宝莱坞电影工业之一。这部电影的灵感来自1911年穆亨·蒲甘队和英国人之间的足球比赛。除了是反映争取独立斗争的最佳例子之一外,它还引起了观众的极大关注,因为它还涉及印度社会所经历的社会经济和社会文化困难。人们认为,这一事件受到历史现实的启发,通过保留骨架结构,给时间、地点和人民带来了一些变化。在本研究中,试图解释历史事件与灰幕上的新叙事之间的异同。这种比较使我们能够理解当前变化的原因。另一方面,人们试图用一种31项形态学分析方法对改编电影进行评价,俄罗斯民俗学家弗拉基米尔·雅克夫列维奇·普罗普在民俗学领域做出了有价值的贡献,他揭示了叙事的结构。本文在运用形态学方法对电影进行分析的基础上,注意到电影文化,尤其是社会主义现实主义电影,往往受到历史现实启发事件的滋养。
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V. PROPP’UN YAPISAL ÇÖZÜMLEME YÖNTEMİ ÇERÇEVESİNDE BİR HİNT SİNEMASI ÖRNEĞİ: “LAGAAN” (2001)
This study is about Lagaan, which is one of the top Bollywood film industries of world cinema. The movie has been inspired by the football match between Mohun Bagan and the British in 1911. Besides being one of the best examples reflecting the struggle for independence, it has concerned great attention from the audience as it also has involved the socio-economic and socio-cultural difficulties experienced by the Indian society. It has been determined that this event, inspired by historical reality, has brought some changes to time, place and people by preserving the skeletal structure. In this study, the similarities and differences between the historical event and the new narrative brought to the gray screen has been tried to be explained. This comparison has allowed us to understand the reasons for the current changes. The adapted film, on the other hand, has been tried to be evaluated with a thirty-one-item morphological analysis method which the Russian folklorist Vladimir Yakovlevich Propp, who is known for his valuable contributions to the field of folklore, reveals the structure of the narratives. Based on the analysis of the film with the morphological method, the article draws attention to the fact that cinema culture, especially socialist realistic cinema, often feeds/can be fed by events inspired by historical reality.
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