在创造性思维和思辨设计之间对未来的绑架

S. Zingale
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引用次数: 0

摘要

皮尔斯写道,进化史告诉我们,未来影响着现在:它制约着现在,使它受到质疑,并使它处于一种计划状态。身处进化之中,以及感觉自己是历史的一部分,意味着投射自己,形成一种想法,一种预示,预示着我们未来的状态,不管有多遥远。每一个设计和发明过程的逻辑形式都是溯因,特别是投射溯因,它提出了一个尚未实现的对象或事件作为发现的对象。在这个意义上,溯因也可以被定义为可能的符号学。是否有可能概述一种溯因设计方法?我的贡献旨在讨论如何溯因,并与它,一切有助于形成一个创造性的习惯,可以被认为是每个设计过程中不可消除的步骤。思辨设计就是一个例子,它把可能性的概念引入了设计思维。
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The Abduction of the Future Between inventive thinking and speculative design
Abstract Evolutionary history, writes Peirce, teaches us that the future influences the present: it conditions it, puts it into question, and places it in a state of planning. To be in evolution, as well as to feel part of a history, means to project oneself, to form an idea, a prefiguration, of what we could be in a future state, no matter how distant. The logical form of every design and the inventive process is abduction, in particular projective abduction, which proposes as the object of discovery an object or event that has yet to be realized. In this sense, abduction can also be defined as the semiotics of the possible. Is it possible to outline an abductive design method? My contribution aims to discuss how abduction, and with it, everything that contributes to the formation of an inventive habit, can be considered as the ineliminable step of every design process. This is the case of Speculative Design, which has had the credit of introducing the notion of possibility into design thinking.
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