沃霍尔与我——作者之战:从复制到分享

Hanna Korolainen
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摘要

本文提出了两个案例研究,解决了作者和灵感来源的问题。在存在抄袭风险之前,在多大程度上可以将灵感来源作为创作过程的一部分?为了理解什么定义了一件真正的艺术作品,以及我们是如何成为作者的,本文着眼于具体的概念,如沃尔特·本雅明的“光环”,大卫·约瑟利特的“嗡嗡声”概念,以及后现代主义,当复制成为一种公认的艺术形式的时候。这些主题通过分析两个相关的艺术案例研究进行了更详细的调查,这两个案例研究的灵感来自美国艺术家安迪沃霍尔,无可否认的复制艺术大师。案例研究以沃霍尔为例,使用他人制作的重复和借用图像作为创作过程的基础。本文提出,要找到答案,需要跨越灵感与复制之间的边界,需要复制的生活经验,以培养对主题的更深层次的理解。灵感来源成为这一过程的重要组成部分,传统的单一作者概念可能需要被“共享作者”所取代。
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Warhol and me – battle of the authors: from copying to sharing
This paper presents two case studies which tackle issues of authorship and sources of inspiration. To what extent can the sources of inspiration be used as a part of the creative process before there is a risk of copying? To enable an understanding of what defines an authentic work of art and how we all become authors, this paper looks into specific concepts, such as Walter Benjamin’s ‘aura’, David Joselit’s concept of ‘buzz’, and postmodernism, the time when reproduction became an accepted form of art. These themes are investi-gated in greater detail by analysing two related artistic case studies that were inspired by American artist Andy Warhol, the undeniable master of the art of copying. Case studies follow Warhol’s example by using repetition and bor-rowing images made by others as the basis of the creative process. The paper proposes that to be able to find answers the border between inspiration and copying needs to be crossed and the experience of copying lived in order to cultivate a deeper understanding of the topic. Sources of inspiration become an important part of the process and the traditional concept of single authorship might need to be replaced by ‘shared authorship’.
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