{"title":"真实性与东方主义:二十世纪七八十年代波兰另类音乐场景中的文化挪用","authors":"Xawery Stańczyk","doi":"10.1007/978-3-030-17034-9_4","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":133833,"journal":{"name":"Eastern European Popular Music in a Transnational Context","volume":"75 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Authenticity and Orientalism: Cultural Appropriations in the Polish Alternative Music Scene in the 1970s and 1980s\",\"authors\":\"Xawery Stańczyk\",\"doi\":\"10.1007/978-3-030-17034-9_4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":133833,\"journal\":{\"name\":\"Eastern European Popular Music in a Transnational Context\",\"volume\":\"75 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Eastern European Popular Music in a Transnational Context\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1007/978-3-030-17034-9_4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eastern European Popular Music in a Transnational Context","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/978-3-030-17034-9_4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}