诗歌偶然性研究的新语料库语言学方法:以约翰·内波穆克·内斯特利为例

W. Dressler, Barbara Tumfart
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引用次数: 37

摘要

摘要:本文介绍了分析诗歌偶然性的新方法,即作者在文学文本中为特定地点创造的词语,并以19世纪奥地利最伟大的喜剧作家和新词创造者约翰·内波穆克·内斯特利的三部喜剧中的偶然性为例。在Nestroy全集和大型德语电子语料库中进行语料库语言学搜索,可以更好地判断一个不熟悉的单词是否真的是偶然出现的。与Nestroy的法国模型(迄今为止从未做过)相比,这些偶然现象实际上是Nestroy的原创作品。对他们相对大胆的两项新分析提供了新颖的见解,这些见解通过对Nestroy和其竞争对手的偶然性的首次比较得到了证实。其次,本文给出了偶然性的语境分析和语境分析的结果。最后,第一次研究了为了达到最佳的戏剧效果,哪些演员被分配了最偶然的表演。
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New corpus-linguistic approaches to the investigation of poetic occasionalisms: The case of Johann Nepomuk Nestroy
Abstract This paper reports on new approaches to the analysis of poetic occasionalisms, i.e. of words created by an author for a specific place in a literary text, and exemplifies them with the occasionalisms found in three comedies by Johann Nepomuk Nestroy, the greatest Austrian comedy writer and creator of new words in the 19th century. Corpuslinguistic search in Nestroy’s complete works and in large German electronic corpora enables better decisions with regard to whether an unfamiliar word was really an occasionalism. Comparison with Nestroy’s French models (never done so far) shows that these occasionalisms are really Nestroy’s original creations. Two new analyses of their relative audacity offer novel insights, which are corroborated by a first comparison between Nestroy’s and a rival’s occasionalisms. Next, the results of a cotextual and contextual analysis of occasionalisms are offered. Finally, for the first time it is studied to which actors the presentation of most occasionalisms was assigned in order to achieve optimal theatrical effects.
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