{"title":"创新文化作为一种具有个性特征和形态特征的现代文化,其本质特征","authors":"K. Kyrylenko","doi":"10.36059/978-966-397-204-6/15-31","DOIUrl":null,"url":null,"abstract":"INTRODUCTION The term “innovation culture” has recently been used in the scientific literature as well as in the everyday language. Mostly innovation culture is interpreted by scholars of different fields of knowledge as a personal characteristic of a human, which is connected with their professional development (Ye. Afanasieva, N. Ilina, O. Koiuda, V. Kremen, Ye. Lisin, R. Milenkova, T. Sobol, B. Santo and others). The modern motivational literature (T. Wagner, P. Diamandis, S. Kotler, K. Christensen, S. Covey and others) pays considerable attention to the formation of innovation culture. However, in the works of researchers there is a tendency to highlight innovation culture as one of the defining characteristics of modern culture (K. Robinson, R. Florida and others). The term “innovation culture” is derived from the term “innovation”. It should be noted that the term “innovation” is not identical to the term “novation”. Innovations are products of modernity and they emerge in industrial society. Novations take place in any historical period, they have an impact on the development of each culture at a certain stage of its development. Novation can be the subject of innovation. However, it is not necessary even in the modern world. According to E. Rogers, one of the most authoritative modern researchers of the spread of innovations, innovation is not just some idea, solution or object that contains a certain novelty. This is a novelty that receives recognition and usage, and is being shared and implemented. At the beginning of his book “Diffusion of Innovations” 1 , the researcher pays attention to conspicuous fact: A. Dvorak keyboard layout, the use of which hasten the transcription on a computer, has not become an innovation, despite its undoubted benefit. Innovation needs innovators, those who implement and consume it, it needs people with a high level of innovation culture. The concept of “innovation culture” is now actively used in the sociopolitical context, it is developed in the scientific literature.","PeriodicalId":396744,"journal":{"name":"SOCIAL AND CULTURAL IMPERATIVES OF THE MODERN SOCIETY DEVELOPMENT","volume":"43 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"INNOVATION CULTURE AS A CHARACTERISTIC OF PERSONALITY AND FORM OF MODERN CULTURE, ITS ESSENTIAL FEATURES\",\"authors\":\"K. Kyrylenko\",\"doi\":\"10.36059/978-966-397-204-6/15-31\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"INTRODUCTION The term “innovation culture” has recently been used in the scientific literature as well as in the everyday language. 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引用次数: 1
摘要
“创新文化”一词最近在科学文献和日常语言中都有使用。创新文化大多被不同知识领域的学者解释为一个人的个人特征,这与他们的专业发展有关(叶。阿法纳西耶娃,N. Ilina, O. Koiuda, V. Kremen, Ye。Lisin, R. Milenkova, T. Sobol, B. Santo等)。现代激励文献(T. Wagner、P. Diamandis、S. Kotler、K. Christensen、S. Covey等)对创新文化的形成给予了相当的关注。然而,在研究人员的作品中,有一种倾向是强调创新文化是现代文化的定义特征之一(K. Robinson, R. Florida等)。“创新文化”一词来源于“创新”一词。应该指出的是,“创新”一词并不等同于“革新”一词。创新是现代性的产物,出现于工业社会。创新发生在任何一个历史时期,它对每一种文化在其发展的某一阶段的发展都会产生影响。创新可以是创新的主体。然而,即使在现代世界,这也不是必要的。E.罗杰斯是研究创新传播的现代最权威的学者之一。他认为,创新不仅仅是包含某种新颖性的想法、解决方案或物体。这是一种获得认可和使用的新奇事物,并且正在被共享和实现。在他的书《创新的扩散》1的开头,研究者注意到一个明显的事实:a . Dvorak键盘布局,它的使用加速了计算机上的转录,并没有成为一种创新,尽管它的好处毋庸置疑。创新需要创新者,那些实施和消费它的人,它需要具有高水平创新文化的人。“创新文化”的概念现在在社会政治背景下被积极使用,它是在科学文献中发展起来的。
INNOVATION CULTURE AS A CHARACTERISTIC OF PERSONALITY AND FORM OF MODERN CULTURE, ITS ESSENTIAL FEATURES
INTRODUCTION The term “innovation culture” has recently been used in the scientific literature as well as in the everyday language. Mostly innovation culture is interpreted by scholars of different fields of knowledge as a personal characteristic of a human, which is connected with their professional development (Ye. Afanasieva, N. Ilina, O. Koiuda, V. Kremen, Ye. Lisin, R. Milenkova, T. Sobol, B. Santo and others). The modern motivational literature (T. Wagner, P. Diamandis, S. Kotler, K. Christensen, S. Covey and others) pays considerable attention to the formation of innovation culture. However, in the works of researchers there is a tendency to highlight innovation culture as one of the defining characteristics of modern culture (K. Robinson, R. Florida and others). The term “innovation culture” is derived from the term “innovation”. It should be noted that the term “innovation” is not identical to the term “novation”. Innovations are products of modernity and they emerge in industrial society. Novations take place in any historical period, they have an impact on the development of each culture at a certain stage of its development. Novation can be the subject of innovation. However, it is not necessary even in the modern world. According to E. Rogers, one of the most authoritative modern researchers of the spread of innovations, innovation is not just some idea, solution or object that contains a certain novelty. This is a novelty that receives recognition and usage, and is being shared and implemented. At the beginning of his book “Diffusion of Innovations” 1 , the researcher pays attention to conspicuous fact: A. Dvorak keyboard layout, the use of which hasten the transcription on a computer, has not become an innovation, despite its undoubted benefit. Innovation needs innovators, those who implement and consume it, it needs people with a high level of innovation culture. The concept of “innovation culture” is now actively used in the sociopolitical context, it is developed in the scientific literature.