阿尔巴尼亚的复古设计家具,后共产主义时代的新复古设计范式

E. Curraj
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引用次数: 1

摘要

阿尔巴尼亚市场的动态取代了共产主义政权垮台后多方面的转变,并朝着加入欧盟的进程迈进,以及阿尔巴尼亚社会作为一个整体的人口结构,深刻地影响了家具产品的设计、开发和生产方式。本文借鉴了我的博士研究,探讨了家具产品从共产主义到后共产主义的转变。博士研究证实:从集中经济的大规模生产到市场经济的自由大规模定制的影响并没有从根本上改变家具的基本属性,而是影响了产品的设计、开发、交付和材料。鉴于此,本文将通过探索复古和复古两种主要范式来深入研究阿尔巴尼亚后共产主义时期的家具设计。首先,本文认为家具的设计和生产在中央集权经济中,被引入到后共产主义的复古范式中。通过观察收集的数据表明,在自由市场经济条件下,人们对复古设计有很高的兴趣。因此,本文建议地方演员、企业和学术界在家具及其组件中使用并坚持怀旧和复古设计。
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Vintage Design Furniture in Albania, a New Retro Design Paradigm in the Post-Communist Era
Abstract The dynamics of the Albanian market in lieu of the multifaceted transformations following the collapse of the communist regime and moving towards the accession processes in the European Union as well as the demographics of the Albanian society as a whole, deeply impact the ways in which furniture products are designed, development and produced. This paper draws from my doctoral study which explored the transformation of furniture products from communism to post-communism. The doctoral study confirmed that: the impact of moving from mass production in a centralized economy to free mass customization in market economy has not radically transformed the fundamental properties of furniture but has affected the design, development, delivery and materiality of products. In this light, this paper will zoom into the furniture designs during post communism in Albania by exploring two principle paradigms vintage and retro. First this paper argues that furniture design and production in the centralized economy, are introduced within the vintage paradigm in post-communist. The data collecting through observation demonstrate a high level of interest for the retro design in a free market economy. As the result the paper suggest the local actors, businesses and academia to use and persist nostalgia and retro design in furniture and their component.
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