寻找一种生活方式

A. Zverev
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引用次数: 0

摘要

本文分析了泽德梅尔理论著作“中间”的主要范畴。泽德迈尔是维也纳艺术研究学院的经典人物。泽德迈尔的科学观点在数字化时代的相关性是由于他渴望理解整体。这是第一次在古代使用这一分类。“中间”是一个本体论和认识论范畴,表示艺术作品的完整性和相关性。Sedelmaier将艺术作品理解为一个活的整体,存在于此时此地。对泽德迈尔来说,一件艺术品就是存在、在场(dasein)。根据Zedtlmayr的说法,“中间”既是作品的开始,中间(中心),也是作品的结束(目标)。“中间”正是使作品获得完整、自我、存在和个性的东西。“中”范畴描述了整体存在的原则,暗示了整体与部分的统一。中间表达了一件艺术作品的结构和生命。它也是学习艺术的主要手段。中间也表示人本身和他与上帝的联系。
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In search of a living middle
The article analyzes the main category of Zedlmayr's theoretical works "the middle" (Mitte). Zedlmayr is a classic of the Vienna School of Art Studies. The relevance of Zedlmayr's scientific views in the era of digitalization is due to his desire to understand the whole. For the first time this category is used in antiquity. The "middle" is an ontological and epistemological category denoting the integrity and relevance of a work of art. Sedelmaier understands a work of art as a living whole, residing here and now. A work of art for Zedlmayr is being, presence (dasein). According to Zedtlmayr, the "middle" is both the beginning, the middle (center), and the end (goal) of the work. The "middle" is exactly what makes the work acquire integrity, self, being, and individuality. The category "middle" describes the principle of the existence of the whole, implying the unity of the whole and the part. The middle expresses the structure and life of a work of art. It is also the main means of learning art. The middle also denotes the person himself and his connection with God.
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