Doozy解构:保罗·林德为汉娜·巴伯拉的动画反派配音

Richard Squires
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引用次数: 0

摘要

“解构的Doozy”记录了艺术家电影制作人Richard Squires的处女作Doozy的研究和动画制作过程。这部作品部分是创意纪录片,部分是论文电影,它利用了许多不同的技术来质问美国演员保罗·林德在20世纪60年代末扮演汉娜·巴伯拉系列恶棍的配音:一个动画的反英雄克洛维斯——由斯奎尔斯设计,由埃尔罗伊·西蒙斯动画——他重现了演员生活中的所谓情节;一个有趣的游戏节目,汇集了来自动画、神经病学、历史和犯罪学领域的专家意见;揭示林德真实情况的档案和文献资料。“Doozy解构”(Doozy deconstructed)考虑的是性是如何被动画人物编码和表演的;好莱坞遗留下来的酷儿编码的邪恶;演员的现实生活环境与动画角色之间的关系;汉娜·巴贝拉选择出柜演员的动机以及Doozy用来传播这项研究的实验策略。
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Doozy deconstructed: Paul Lynde’s voicing of Hanna Barbera’s animated villains
‘Doozy deconstructed’ documents the research and animation production processes of artist-filmmaker Richard Squires’s debut feature Doozy. Part creative documentary, part essay film, the work utilizes a number of distinct techniques to interrogate the voice casting of American actor Paul Lynde as a series of Hanna Barbera villains in the late 1960s: an animated anti-hero Clovis ‐ designed by Squires and animated by Elroy Simmons ‐ who re-enacts alleged episodes in the life of the actor; a curious game show featuring specialist opinions from the worlds of animation, neurology, history and criminology; archival and documentary materials that reveal Lynde’s real-life circumstance. ‘Doozy deconstructed’ considers how sexuality is coded and performed by animated characters; Hollywood’s legacy of queer-coded villainy; the relationship between the actor’s real-life circumstance and his animated roles; Hanna Barbera’s motivations in casting the closeted actor and the experimental strategies Doozy employs to disseminate this research.
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