结构/可能/虚构:从Lubomír Doležel的作品看结构诗学和文体学向虚构世界理论的转变

Marek Holan
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摘要

本文从虚构世界语义学与结构诗学和分析哲学的一些分支的关系出发,探讨了虚构世界语义学与结构诗学和分析哲学的关系。本文提出了三个问题:1)结构概念与FWS视角之间的关系是怎样的,可能存在哪些不同之处;(2)分析哲学在这种关系中的作用是什么?3)在(虚构的)文本和接受者之间是如何构建意义的?因此,在分析意义/指称重建的结构概念与FWS的适应之间的关系时,探讨了一些悬而未决的问题,特别是与FWS领域的一位著名学者Lubomír Doležel教授提出的思想有关。最后,从动态语义学和博弈论语义学的角度出发,提出了把握FWS中意义/指称问题的可能方向。
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Structural / Possible / Fictional: A few notes on the shift from structural poetics and stylistics to the theory of fictional worlds in the perspective of Lubomír Doležel’s work
Abstract This article deals with the fictional worlds semantics (FWS) from the perspective of its relation to structural poetics and some branches of analytic philosophy, while these connections are explored via the general term meaning. Three questions are stated: 1.) how does the relation between structural notions and FWS perspective look like and what are possible dissimilarities; 2.) what is the role of analytic philosophy in this relation; 3.) how the meaning is constructed between the (fictional) text and the recipient? Some open problems in analysing the relation between structural concepts of meaning/reference re-construction and their adapting by FWS are thus inquired, especially in connection to thoughts presented by a prominent scholar in the field of FWS, Prof. Lubomír Doležel. Finally, a possible direction for grasping the meaning/reference problem in FWS from the perspective of dynamic semantics and game-theoretical semantics is proposed.
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Motalka, or Time in Chiasmus: Viktor Shklovsky’s “Revolutionary Choice of the Past” Ornament as a formalist object Editorial: Workshop on European formalisms (Germanic countries and Eastern Europe) Formalism’ as an epistemological fact. Structural / Possible / Fictional: A few notes on the shift from structural poetics and stylistics to the theory of fictional worlds in the perspective of Lubomír Doležel’s work The Formalist Cinematographic Theory: a Refined Thinking of the Expressionist Film Conception?
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