人文主义与文艺复兴

John Monfasani
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摘要

文艺复兴和人文主义在今天都不合时宜地赋予了违背其历史现实的意义。人文主义源于中世纪意大利独特的非专业文化,在文艺复兴时期与中世纪意大利文化的其他元素结合在一起,主宰了16世纪和17世纪欧洲的教育世界。用Paul Oskar Kristeller的话来说,文艺复兴时期的人文主义者构成了“西方文化中一个可以称为修辞传统的典型阶段”。文艺复兴时期的人文主义创造的不是一种意识形态或哲学,而是一套充满活力的教育兴趣和方法,由修辞和文学兴趣主导,专注于模仿古典口才和文学。随着时间的推移,人文主义者将有力地重塑欧洲的学习、教育,并最终重塑自我概念。文艺复兴人文主义的一个重要残余是我们对构成人文学科的学科的理解,我们认为这些学科对受过教育的文化至关重要。
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Humanism and the Renaissance
Both the Renaissance and humanism have anachronistically taken on meanings today that betray their historical reality. Emerging from the peculiar lay professional culture of medieval Italy, humanism joined in the Renaissance with other elements of medieval Italian culture to dominate the educated world of sixteenth- and seventeenth-century Europe. The Renaissance humanists constituted, in the words of Paul Oskar Kristeller, “a characteristic phase in what may be called the rhetorical tradition in Western culture.” Renaissance humanism created not an ideology or philosophy, but a dynamic set of educated interests and methods dominated by rhetorical and literary interests and focused on imitation of classical eloquence and literature. The humanists would in time powerfully reshape European learning, education, and, ultimately, self-conception. A non-trivial residue of Renaissance humanism is our understanding of the disciplines that make up the humanities and that we view as essential to educated culture.
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