{"title":"不仅仅是一部漫画:元电视文化与反讽时代","authors":"M. Fink","doi":"10.5117/9789462988316_ch03","DOIUrl":null,"url":null,"abstract":"The cultural climate of the 1990s has rendered irony the dominant mode\n of both media consumption and production. This chapter highlights The\n Simpsons’ pivotal role as a TV show contributing to the cultivation of what\n I dub “meta-television culture” in reference to John Fiske’s key work in\n television studies, 1987’s Television Culture. More specifically, I argue that,\n by working elements of spectator culture into the parodic framework of\n an animated sitcom, The Simpsons has both tapped into and reinforced\n a cultural sensibility of meta-media humor, which characterized the\n zeitgeist of young adults in the 1980s and 1990s.","PeriodicalId":147065,"journal":{"name":"Understanding The Simpsons","volume":"77 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"More than Just a Cartoon: Meta-Television Culture and the Age of Irony\",\"authors\":\"M. Fink\",\"doi\":\"10.5117/9789462988316_ch03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The cultural climate of the 1990s has rendered irony the dominant mode\\n of both media consumption and production. This chapter highlights The\\n Simpsons’ pivotal role as a TV show contributing to the cultivation of what\\n I dub “meta-television culture” in reference to John Fiske’s key work in\\n television studies, 1987’s Television Culture. More specifically, I argue that,\\n by working elements of spectator culture into the parodic framework of\\n an animated sitcom, The Simpsons has both tapped into and reinforced\\n a cultural sensibility of meta-media humor, which characterized the\\n zeitgeist of young adults in the 1980s and 1990s.\",\"PeriodicalId\":147065,\"journal\":{\"name\":\"Understanding The Simpsons\",\"volume\":\"77 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-10-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Understanding The Simpsons\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5117/9789462988316_ch03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Understanding The Simpsons","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789462988316_ch03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
More than Just a Cartoon: Meta-Television Culture and the Age of Irony
The cultural climate of the 1990s has rendered irony the dominant mode
of both media consumption and production. This chapter highlights The
Simpsons’ pivotal role as a TV show contributing to the cultivation of what
I dub “meta-television culture” in reference to John Fiske’s key work in
television studies, 1987’s Television Culture. More specifically, I argue that,
by working elements of spectator culture into the parodic framework of
an animated sitcom, The Simpsons has both tapped into and reinforced
a cultural sensibility of meta-media humor, which characterized the
zeitgeist of young adults in the 1980s and 1990s.