邪恶之口。汉尼拔·莱克特叙事生态系统中的同类相食、美学和变形

Mario Tirino
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引用次数: 1

摘要

邪恶之口。《汉尼拔》叙事生态系统中的食人、审美化与表演性。本文从社会文化的角度探讨了以汉尼拔为中心的叙事生态系统(托马斯·哈里斯的四本小说,五部电影,一部电视剧)中食人主题的运用。在这个跨媒介生态系统中,与食物有关的想象说明了从采购到准备再到消费的过程。在这个关键中,本文分析了特定时代的道德规范如何将某些与食物的关系确定为规范可接受的,而将其他关系归类为“不正常”,指的是食人文化(Kilgour 1990)。小说、电影和ABC电视剧都是根据食人手势的两种功能来分析的(阿伦斯2001):吃人肉的象征功能和审美功能。最后,本文讨论了ABC电视节目中食人杀手的形象,作为一个典型的例子,从古典英雄到后经典英雄的过渡(Cano-Gomez 2012)和邪恶在身份表现方面的表现,在后连续剧电视的更广泛背景下(Brancato 2011)。
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La bocca del male. Cannibalismo, estetizzazione e performatività nell'ecosistema narrativo di Hannibal Lecter
The Mouth of Evil. Cannibalism, Aestheticization and Performativity in the Narrative Ecosystem of Hannibal Lecter. The paper explores from a socio-cultural perspective how the theme of cannibalism is used in the narrative ecosystem focused on Hannibal Lecter (four novels by Thomas Harris, five films, a television series). The imaginary related to food in this transmedial ecosystem illustrates the path that goes from procuring to preparation until consumption. In this key, the paper analyses the ways moral norms of a given era identify some relationships with food as normatively acceptable, while classifying others as "abnormal", referring to cannibal cultures (Kilgour 1990). Novels, films, and ABC series are analyzed according to two functions associated with the cannibalistic gesture (Arens 2001): the symbolic function associated with eating human flesh and the aestheticizing function. Finally, the paper debates the figure of the cannibalistic killer in ABC tv show, as a paradigmatic example of the transition from the classical hero to the postclassic hero (Cano-Gomez 2012) and the representation of evil in terms of identity performance, in the wider context of the post-seriality television (Brancato 2011).
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