《阿波罗》杂志作为象征主义宣言最后一战的战场

Valeriia Dmitrievna Riabchenko-Shats
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摘要

《阿波罗》杂志完成了白银时代的一批象征主义杂志,在某种意义上总结了19世纪末20世纪初密集的艺术生活。它的页面捕捉到了世纪之交时代快速而多向的艺术话语,本文借助话语分析对其进行了分析。本研究以刊登在艺术杂志《阿波罗》上的美学宣言为研究对象,研究对象是《阿波罗》中美学和哲学思想的演变。对期刊材料的内容分析使我们能够在《阿波罗》的编辑计划框架内研究象征主义和顶点主义思想的发展,这也是这项工作的目的。《阿波罗》杂志历来被认为是宣传阿克美主义思想的杂志,但对出版材料的分析表明,在20世纪10年代初,《阿波罗》杂志上展开了激烈的象征主义争论。此外,研究还表明,阿克美主义的思想是非常异质的,并没有得到许多编委会成员的支持,他们认为阿克美主义还没有形成一个完整的文学现象。本文的研究成果可以为研究《阿波罗》杂志、俄罗斯新闻史以及象征主义和唯美主义思想的发展史提供理论依据。
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The "Apollo" Magazine as the Field of the Last Battle of Symbolist Manifestos
The magazine "Apollo" completes a number of symbolist magazines of the Silver Age and in a sense sums up the intensive artistic life of the late XIX – early XX century. Its pages captured the rapid and multidirectional artistic discourse of the turn-of-the-century era, which was analyzed in the article with the help of discourse analysis. Aesthetic manifestos published on the pages of the art magazine "Apollo" were chosen as the subject of this research, the object of the work was the evolution of aesthetic and philosophical ideas in "Apollo". The content analysis of the journal's materials allowed us to study the development of the ideas of symbolism and acmeism within the framework of the editorial program of Apollo, which was the purpose of this work. The magazine "Apollo" is traditionally perceived as a magazine that promoted the ideas of Acmeism, however, the analysis of published materials shows that an acute symbolist controversy unfolded on the pages of "Apollo" in the early 1910s. In addition, the study demonstrates that the ideas of Acmeism were very heterogeneous and did not receive the support of many members of the editorial board, who believed that Acmeism had not formed into a full-blooded literary phenomenon. The results of the research can contribute to theoretical knowledge about the "Apollo" magazine and the history of Russian journalism, as well as the history of the development of the ideas of symbolism and acmeism.
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