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摘要

20世纪初,德国社会学家马克斯·韦伯(Max Weber)提出了一个著名的论断,即西方现代性是“幻灭的”。他的意思是,现代性是由理性化的发展所定义的,理性化的发展消除了以超自然世界观为特征的前现代社会所共有的精神意义和目的。韦伯坚持认为,现代性依赖于理性、科学和官僚机构来管理生存,而不是依赖于“神秘的、不可估量的力量”。韦伯的祛魅范式影响了整个20世纪的思想家,但自21世纪之交以来,它已经得到了实质性的修订。批评者指出,传统的“着迷”世界观在现代性中继续蓬勃发展,各种特别现代的“重新着迷”也出现了,与现代世界的理性、世俗和消费主义潮流相一致。批评人士还指出,这种范式过于片面地强调将合理化作为现代性的指导原则。范式中理性与非理性的二元对立,或从理性到非理性的辩证转化,已在很大程度上被强调理性与想象的互补性所取代。(事实上,与韦伯的断言相反,想象力本身现在被视为现代性中的一种“神秘的、不可估量的力量”,对世俗和宗教都有吸引力。)新范式强调了启蒙运动与浪漫主义、理性与想象、祛魅与魅惑交织在一起的本质。现代性的特点与其说是彻底的祛魅,不如说是“祛魅”。
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Enchantment
In the early 20th century, the German sociologist Max Weber famously argued that Western modernity was “disenchanted.” He meant that modernity was defined by the growth of rationalization, which evacuated the shared spiritual meanings and purposes that had characterized premodern societies oriented toward supernatural worldviews. Rather than relying on “mysterious, incalculable forces,” Weber maintained that modernity relied on reason, science, and bureaucracies to manage existence. Weber’s disenchantment paradigm influenced thinkers throughout the 20th century, but since the turn of the 21st century, it has been substantially revised. Critics note that traditional “enchanted” worldviews continued to thrive within modernity, and varieties of specifically modern “re-enchantments” arose as well, consistent with the rational, secular, and consumerist currents of the modern world. Critics also observe that the paradigm was too one-sided in its stress on rationalization as the guiding principle of modernity. The paradigm’s binary opposition between reason and the irrational, or the dialectical transformation of the former into the latter, have been largely replaced by an emphasis on the complementary nature of reason and the imagination. (Indeed, contrary to Weber’s assertion, the imagination itself is now perceived as a “mysterious, incalculable force” within modernity, appealing to the secular and the religious alike.) The new paradigm highlights the intertwined nature of the Enlightenment and Romanticism, reason and the imagination, disenchantment and enchantment. Modernity is characterized less by outright disenchantment than by “disenchanted enchantment.”
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