{"title":"1899 - 1901年,瓦伦西亚的留声机办公室","authors":"E. Rodríguez","doi":"10.1093/OSO/9780197552063.003.0006","DOIUrl":null,"url":null,"abstract":"This chapter focuses on the gabinetes fonográficos active between 1899 and 1901 in Valencia—which can be rightly considered as the second main pole of the Spanish recording industry at the time. It discusses the rivalries that Valencia gabinetes maintained with their Madrid counterparts, and analyses how the compactness and connectedness of the city gave rise to a vibrant, yet ephemeral, recording culture. The chapter also discusses briefly the gabinetes located in cities other than Madrid, Valencia, and Barcelona, of which few traces have survived.","PeriodicalId":350823,"journal":{"name":"Inventing the Recording","volume":"51 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Gabinetes fonográficos in Valencia, 1899–1901\",\"authors\":\"E. Rodríguez\",\"doi\":\"10.1093/OSO/9780197552063.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter focuses on the gabinetes fonográficos active between 1899 and 1901 in Valencia—which can be rightly considered as the second main pole of the Spanish recording industry at the time. It discusses the rivalries that Valencia gabinetes maintained with their Madrid counterparts, and analyses how the compactness and connectedness of the city gave rise to a vibrant, yet ephemeral, recording culture. The chapter also discusses briefly the gabinetes located in cities other than Madrid, Valencia, and Barcelona, of which few traces have survived.\",\"PeriodicalId\":350823,\"journal\":{\"name\":\"Inventing the Recording\",\"volume\":\"51 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Inventing the Recording\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OSO/9780197552063.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inventing the Recording","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780197552063.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter focuses on the gabinetes fonográficos active between 1899 and 1901 in Valencia—which can be rightly considered as the second main pole of the Spanish recording industry at the time. It discusses the rivalries that Valencia gabinetes maintained with their Madrid counterparts, and analyses how the compactness and connectedness of the city gave rise to a vibrant, yet ephemeral, recording culture. The chapter also discusses briefly the gabinetes located in cities other than Madrid, Valencia, and Barcelona, of which few traces have survived.