{"title":"在Coolitude的寄存器中","authors":"Nalini Mohabir","doi":"10.13169/jofstudindentleg.3.1.0014","DOIUrl":null,"url":null,"abstract":"This essay offers a reflection on the interstices between words, silences, the unutterable, and the imaginary in Khal Torabully and Marina Carter’s ground-breaking work, Coolitude: An Anthology of the Indian Labour Diaspora. Further, this essay ponders how these silent spaces relate to the archives, and points to how the act of re-voicing or reclaiming the ‘coolie’ might be envisioned through relational and/or paradoxical spaces.","PeriodicalId":179792,"journal":{"name":"Journal of Indentureship and Its Legacies","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"In the registers of Coolitude\",\"authors\":\"Nalini Mohabir\",\"doi\":\"10.13169/jofstudindentleg.3.1.0014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay offers a reflection on the interstices between words, silences, the unutterable, and the imaginary in Khal Torabully and Marina Carter’s ground-breaking work, Coolitude: An Anthology of the Indian Labour Diaspora. Further, this essay ponders how these silent spaces relate to the archives, and points to how the act of re-voicing or reclaiming the ‘coolie’ might be envisioned through relational and/or paradoxical spaces.\",\"PeriodicalId\":179792,\"journal\":{\"name\":\"Journal of Indentureship and Its Legacies\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Indentureship and Its Legacies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13169/jofstudindentleg.3.1.0014\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Indentureship and Its Legacies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13169/jofstudindentleg.3.1.0014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This essay offers a reflection on the interstices between words, silences, the unutterable, and the imaginary in Khal Torabully and Marina Carter’s ground-breaking work, Coolitude: An Anthology of the Indian Labour Diaspora. Further, this essay ponders how these silent spaces relate to the archives, and points to how the act of re-voicing or reclaiming the ‘coolie’ might be envisioned through relational and/or paradoxical spaces.
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