斯宾诺莎-德勒兹式的学习与学徒制的叙述:傲慢与偏见

hye-soo Lee
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摘要

我研究了吉尔·德勒兹关于“学习”的讨论是如何建立在斯宾诺莎的“共同概念”之上的,以及简·奥斯汀的《傲慢与偏见》是如何作为“斯宾诺莎-德勒兹式学习”的叙述而存在的,这是英国经典成长小说的代表。与卢卡奇将成长小说定义为“一个有问题的个体”的成熟以及他/她与社会的“和解”不同,斯宾诺莎-德勒兹式学习的叙述提醒我们,即使在21世纪,学习(学徒制)也是我们生活中不可或缺的一部分。斯宾诺莎的《伦理学》将学习或学徒作为他的积极自由伦理计划的一个重要方面,其中共同概念作为“理性与想象的奇怪和谐”起着决定性的作用。德勒兹对“学习”的描述将斯宾诺莎的共同概念与笛卡尔的真理概念(即对象与心灵表征的对应关系)之间的差异重新表述为“学习”与“知识”的区别。简单地说,虽然学习是一个问题或一个有问题的领域,但知识是一种解决方案;它们在自然界中是尽可能遥远的。《傲慢与偏见》体现了一个斯宾诺莎-德勒兹意义上的学习过程,伊丽莎白和达西先生相遇,意识到傲慢等被动情感是他们自我的核心部分,并通过共同观念的形成而获得快乐和肯定。此外,奥斯丁的小说证明了小说读者通过同情和距离与人物以及叙述者形成共同观念是比认同或同情更关键的小说阅读机制。小说是一个独特的空间,在这里,想象力作为人类知识的必要条件,以及斯宾诺莎所说的思想的美德(卓越)得以展现,即意识到自己想象的思想的超能力。
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Spinozist-Deleuzian Learning and the Narrative of Apprenticeship: Pride and Prejudice
I examine how Gilles Deleuze’s discussion of “learning” is predicated on Spinoza’s “common notion,” and how Jane Austen’s Pride and Prejudice, a representative classical Bildungsroman in Britain, also works as a narrative of “Spinozist-Deleuzian learning.” Deviating from Lukacs’s definition of Bildungsroman as the maturation of “a problematic individual” and his/her “reconciliation” with the society, narratives of Spinozist-Deleuzian learning remind us of the importance of learning (apprenticeship) as an indispensable part of our lives even in the 21st century. Spinoza’s Ethics presents learning or apprenticeship as a crucial facet of his ethical project of active liberty where common notion as “a strange harmony of reason and imagination” plays a decisive role. Deleuze’s account of “learning” reformulates the differences between Spinozist common notion and Cartesian concept of truth (i.e. correspondence of an object with the mind’s representation of it) into the distinction of “learning” and “knowledge.” Simply put, while learning is a problem or a problematic field, knowledge is a solution; they are as distant as possible in nature. Pride and Prejudice exemplifies a process of learning in Spinozist-Deleuzian sense where Elizabeth and Mr. Darcy encounter to realize passive affects like pride as the core part of their selves and proceed to joy and affirmation through the formation of common notions. Furthermore, Austen’s novel evidences that the novel reader’s forrmation of common notions with characters and also with the narrator through sympathy and distancing is the mechanism of novel reading more pivotal than identification or sympathy. The novel is a singular space where imagination as the necessary condition of human knowledge is unfolded as well as what Spinoza calls the virtue (eminence) of the mind, i.e. the mind’s meta-power of being aware that it imagines as it imagines.
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