社会需求与遗产保护之间:2019冠状病毒病危机期间团结合作的例子:葡萄牙研究

Inês Costa
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摘要

目的。本文旨在分析在新冠肺炎危机期间,葡萄牙文化机构、企业、艺术家、工人、志愿者和当地社区之间团结合作的一些例子。研究将集中在2020年和2021年。我们处理这个问题的方法包括四个主要部分。一个是根据国家立法澄清一些概念的文本词汇表。第二部分是在(国际)国家一级简要介绍该流行病演变的背景。第三份报告描述了文化机构、遗产遗址和专业人员如何受到广泛传播的病毒的影响。第四部分是文化领域内团结合作行动的五个案例分析。通过我们的研究,我们将新冠肺炎的负面影响与该行业先前存在的问题区分开来。我们还发现,一些支持文化遗产的举措可能存在问题。由于卫生危机尚未结束,研究仅限于目前的知识状况。今后对这一问题的探讨可能有助于找到新的案例研究和这一流行病的后果。我们相信这篇文章可以产生社会影响,因为它促进了对经济可持续性、社会参与以及文化机构和利益相关者的道德责任的反思。此外,讨论文化工作者在这场危机中发现自己的弱势处境,对于为这个行业和那些维持它运转的人设计一个更美好的未来来说,是最紧迫的。我们研究的独创性在于记录了为抵消大流行病的后果而发现的创造性战略,这些战略在今后的紧急时期可能会令人鼓舞。
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Between social needs and heritage safeguarding: examples of solidarity and cooperation during the Covid-19 crisis: the Portuguese study
Purpose. This article aims to analyze some examples of solidarity and cooperation between Portuguese cultural institutions, enterprises, artists, workers, volunteers, and local communities during the Covid-19 crisis. The research will focus on the years 2020 and 2021. Approach/methodology. Our approach to the subject matter encompasses four main components. One is an in-text glossary to clarify a few concepts in view of national legislation. The second is a brief contextualization of the evolution of the pandemic at an (inter)national level. The third one is a description of how cultural institutions, heritage sites, and professionals were affected by the widespread virus. And the fourth one is the analysis offive case studies of actions of solidarity and cooperation within the cultural field. Findings. Thanks to our research, we distinguish the negative impacts of Covid-19 from pre-existent problems in the sector. We have also found that some initiatives created to support cultural heritage may be questionable. Since the sanitary crisis is not over yet, the research is limited to the current state of knowledge. Future exploration on the matter may be relevant to find new case studies and consequences of the pandemic. We believe this article can have a social impact since it promotes a reflection on the economic sustainability, social engagement, and ethical responsibilities of cultural institutions and stakeholders. Besides, the discussion about the vulnerable conditions in which cultural workers found themselves during this crisis is of utmost urgency to design a better future for the sector and those who keep it running. Originality. The originality of our study lies in the registration of creative strategies found to counteract the outcomes of the pandemic, which may be inspiring in future times of emergency.
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