审判

Diary of a Lonely Girl, or The Battle against Free Love Pub Date : 2014-12-31 DOI:10.7591/9780801470141-006

O. Welles

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引用次数: 0

摘要

在奥逊·威尔斯的电影《审判》中，约瑟夫·K的噩梦随着阿尔比诺尼的慢板的旋律展开。仿佛整部电影的原声已经在为k哀悼了。卡夫卡在小说的中间写了一个人一生都在门口等待寻求法律途径的寓言，这是威尔斯的开场白。它给人一种感觉，我们即将看到的一切可能都已经完成了。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Trial

In Orson Wellesʼs film of The Trial, Joseph Kʼs nightmare unfolds to the strains of Albinoniʼs Adagio. Itʼs as if the soundtrack is already in mourning for K. The fable of the man who waits all his life at the gate seeking access to the law, which Kafka locates in the middle of his novel, serves Welles as prologue. It contributes to a sense that everything weʼre about to see might already have been done.

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