文学文本中的流动叙事:韩国和日本的三种小说类型

I. Shin, Jooyoung Kim
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摘要

本文主要探讨韩国和日本文学中叙事技巧与流动性的关系。一般来说,纯文学、散居文学和多元文化文学都有很强的意识形态基础,并以按自己的方式阅读为前提。然而,如果流动的母题取代了小说中的其他解释模式,这些主题领域又会产生哪些共性和差异呢?本研究分析了移动主体是如何通过运动塑造每个时代的特征。以确立主体现代性为目的的现代小说、冷战时期的散居小说、2000年代以多元文化为主题的小说为对象,对其进行精细化阅读。因此,本文指出现代小说的建立是由运动引发的,并从流动的伦理角度考察了冷战时期流散者的生活是如何被叙述的。此外,冷战后全球主义的多元文化状况进一步放大了这一现象。
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The Narratives of Mobility in Literary Texts : Three Types of Novels in Korea and Japan
This paper focuses on how the narrative technique relates to mobility in Korean and Japanese literature. In general, pure, diaspora, and multicultural literature are heavily armed with ideological foundations and premised on being read on their own terms. However, what commonalities and differences in these thematic areas would arise if the motif of mobility supplanted other interpretive modes in the novels? This study analyzes how the mobile subject shaped the characteristics of each era through movement. It aims to refine the reading of modern novels aimed at establishing the modernity of the subject, diaspora novels in the Cold War era, and novels in the 2000s characterized by the theme of multiculturalism. Thus, this paper pointed out that the establishment of modern novels was triggered by movement and then examined how the lives of the diaspora in the Cold War era were narrated from the ethical point of view of mobility. Furthermore, the multicultural situation of globalism further amplified this phenomenon after the Cold War.
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