{"title":"“我们都是陌生人”:阿加莎·克里斯蒂《捕鼠器》中的战后焦虑","authors":"J. Gildersleeve","doi":"10.3172/CLU.32.2.115","DOIUrl":null,"url":null,"abstract":"Agatha Christie's play, The Mousetrap (1952), disturbs the middlebrow, middle-class conventions of Golden Age detective fiction. By introducing an explicit suspicion of personas and roles, Christie's play points to a postwar anxiety that wartime freedom undermined the capacity for surveillance, putting citizens—especially women—at risk.","PeriodicalId":221689,"journal":{"name":"Clues: A Journal of Detection","volume":"53 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"We're All Strangers\\\": Postwar Anxiety in Agatha Christie's The Mousetrap\",\"authors\":\"J. Gildersleeve\",\"doi\":\"10.3172/CLU.32.2.115\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Agatha Christie's play, The Mousetrap (1952), disturbs the middlebrow, middle-class conventions of Golden Age detective fiction. By introducing an explicit suspicion of personas and roles, Christie's play points to a postwar anxiety that wartime freedom undermined the capacity for surveillance, putting citizens—especially women—at risk.\",\"PeriodicalId\":221689,\"journal\":{\"name\":\"Clues: A Journal of Detection\",\"volume\":\"53 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Clues: A Journal of Detection\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3172/CLU.32.2.115\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Clues: A Journal of Detection","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3172/CLU.32.2.115","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
"We're All Strangers": Postwar Anxiety in Agatha Christie's The Mousetrap
Agatha Christie's play, The Mousetrap (1952), disturbs the middlebrow, middle-class conventions of Golden Age detective fiction. By introducing an explicit suspicion of personas and roles, Christie's play points to a postwar anxiety that wartime freedom undermined the capacity for surveillance, putting citizens—especially women—at risk.
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