结论:从国家到全球

Eva Moreda Rodríguez
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引用次数: 0

摘要

结论总结了西班牙留声机的文化史如何促使人们重新审视早期录音技术的全球历史,并列出了四个重新审视可能特别必要的领域。首先,爱迪生、他的公司和其他跨国唱片公司在制作和传播录音这一概念以及为唱片业奠定基础方面所起的作用可能需要进一步重新评估和背景化。其次,需要更多地关注当前时期影响现代性话语的民族性和地方性特征。第三,录音技术的早期历史需要被解读为由国家、地区和地方文化特征塑造的可能性历史。第四,应提高对土著曲目如何以特定方式对形成录音实践和录音技术本体作出贡献的认识,而不是使用录音技术被动地记录已有的内容。
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Conclusion: From national to global
The conclusion sums up how the cultural history of the phonograph in Spain can prompt a re-examination of the global history of early recording technologies, and lists four areas in which this re-examination might be particularly necessary. Firstly, the role of Edison, his companies, and other recording multinationals in crafting and spreading the idea of the recording as a concept and setting the foundations of the recording industry might need to be further re-evaluated and contextualized. Secondly, increased attention needs to be paid to the national and local characteristics that impinged discourses around modernity in the period at hand. Thirdly, the early history of recording technologies needs to be read as a history of possibilities, shaped by national, regional, and local cultural specificities. Fourthly, greater awareness should develop of how indigenous repertoires contributed to shaping recording practices and ontologies of recording technologies in particular ways, rather than recording technologies being used to passively record what was already there.
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Traveling phonographs, 1888–1900 Consuming and collecting records in Spain, 1896–1905 (Dis)embodied voices Science, urban space, and early phonography in Barcelona, 1898–1914 Imagining the phonograph, 1877–1888
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