用欧文·波诺夫斯基的图像学和图像学批评方法分析2020-2021年期间的埃尔克曼海报设计

Özlem Kum
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摘要

本研究采用Erwin Panofsky的Iconographic and Iconological Criticism方法,对1972年毕业于伊斯坦布尔国立美术学院平面艺术系的b伦特·埃尔克曼在平面设计领域取得重要成就的2020-2021年间设计的海报作品进行分析。用这种批评方法评价的作品的艺术特征得以揭示。在研究中,评价了Erkmen的构图设置,设计的主题和内容,艺术家的风格,使用的符号,并试图强调设计中的妥协意义。通过对借出Erkmen设计的11幅海报的常规意义进行评价,分析他在每张海报中对捕捉主题的完整性和符号的关注。在本研究中,文献综述采用了描述性分析方法,文献研究采用了定性研究方法和二次或常规意义(图像分析)方法,这是Erwin Panofsky的“图像学和图像学艺术批评”方法之一。blent Erkmen在2020-2021年期间设计的海报中努力从艺术家的个人角度反映连续性和标志。他在与展览相关的海报上使用的方法,作为一种在展览内容中与作品和艺术家联系起来的方法,引起了人们的关注。可以得出的结论是,在他的大多数设计中,他非常重视这种联系和额外的连续性。虽然作品各不相同,但设计师从作品中呈现出符号并维护它的努力显示出一个特点。因此,在一些设计中,对海报作品的主题和符号进行解释,而不是对设计进行检查。本文认为,以当代艺术线条呈现叙事的埃尔克曼,以正确细致的理解,揭示了其艺术中的观念、思想、行为与符号的联系。
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Analysis of Bülent Erkmen Poster Designs Between 2020-2021 by Erwin Ponofsky's Iconographic and Iconological Criticism Method
In this study, the poster works designed by Bülent Erkmen between the years 2020-2021 after graduating from the Graphic Arts Department of the Istanbul State Academy of Fine Arts in 1972, who accomplished important works in the field of graphic design, were analyzed by Erwin Panofsky's Iconographic and Iconological Criticism method. The artistic features of the works evaluated with this criticism method have been revealed. In the study, Erkmen's compositional setup, the subject and content of the design, the artist's style, the symbols used were evaluated and the compromised meaning in the designs was tried to be emphasized. By evaluating the conventional meaning of 11 posters designed by Bülent Erkmen, the attention he paid to capture the integrity and signs appropriate to the subject in each poster was analyzed. In the study, literature review from descriptive analysis methods, document research from qualitative research methods and Secondary or conventional meaning (Iconographic Analysis) method, which is one of Erwin Panofsky's "Iconographic and Iconological Art Criticism" methods were used. Bülent Erkmen made an effort to reflect the continuity and the signs from the personal perspectives of the artists in the posters he designed between 2020-2021. The method he applied on the posters related to the exhibitions draws attention as a method of connecting with the works and artists in the exhibition content. It has been concluded that in most of his designs, he attaches great importance to this connection and additional continuity. Although the works differ from each other, the effort of the designer to present signs from the work and to maintain it shows a characteristic feature. For this reason, in some designs, the theme and symbols of the work in which the poster is explained rather than the design were examined. It has been concluded that Erkmen, who presents narratives with contemporary art lines, reveals the symbolic ties with the concepts, thoughts and behaviors in his art, with a correct and detailed understanding.
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