在最残酷的月份载歌载舞:新冠疫情时期对神学与诗歌的反思

C. Southgate
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引用次数: 0

摘要

这篇文章探讨了诗歌和艺术在大流行时期对人类经验的贡献。它认为,艺术作品可以“扩大心灵”,这样悲伤和焦虑就不会被消除或击败,而是像圣经中所说的那样,“编织成一个更大的富有想象力的故事。”这个论点是通过对三首诗的仔细研究得出的:t.s.艾略特的《荒原》,写于1922年西班牙流感流行期间;伊凡·博兰(Eavan Boland)的《检疫》(Quarantine),以19世纪40年代爱尔兰马铃薯饥荒为背景;以及马尔科姆·吉特的《2020年复活节》。
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Singing and dancing in the cruellest month: A reflection on theology and poetry in a time of COVID
This article explores what contribution poetry and the arts can make to the human experience in a time of pandemic. It argues that artistic productions can ‘enlarge the heart’ such that sorrow and anxiety are not removed or defeated but are, as in the biblical text, ‘woven […] into a larger imaginative story.’ This argument is made through close examination of three poems: T. S. Eliot’s “The Waste Land”, written in 1922 during the Spanish flu epidemic; “Quarantine” by Eavan Boland, set during the Irish Potato Famine of the 1840s; and Malcolm Guite’s “Easter 2020”.
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