{"title":"圣埃尔肯瓦尔德的名字","authors":"J. Kirk","doi":"10.2307/j.ctv1hw3xbk.7","DOIUrl":null,"url":null,"abstract":"This chapter proposes that the anonymous poem St. Erkenwald should be recognized as a riddle, generated from a withheld word that is everywhere recognizable within it. The poem is engineered so as to set up, by formal means, a thought experiment that represents an intervention into some permanently and essentially unresolvable problems in the theory of signification: those of the theurgical and baptismal “characters.” Eluding scholarly attempts to reduce it to its supposed historical, political, or aesthetic stakes, Erkenwald would attain to the status of a properly literary work insofar as it constitutes in this manner a trap for interpretation.","PeriodicalId":178860,"journal":{"name":"Medieval Nonsense","volume":"06 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ST. ERKENWALD ON THE CARACTER\",\"authors\":\"J. Kirk\",\"doi\":\"10.2307/j.ctv1hw3xbk.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter proposes that the anonymous poem St. Erkenwald should be recognized as a riddle, generated from a withheld word that is everywhere recognizable within it. The poem is engineered so as to set up, by formal means, a thought experiment that represents an intervention into some permanently and essentially unresolvable problems in the theory of signification: those of the theurgical and baptismal “characters.” Eluding scholarly attempts to reduce it to its supposed historical, political, or aesthetic stakes, Erkenwald would attain to the status of a properly literary work insofar as it constitutes in this manner a trap for interpretation.\",\"PeriodicalId\":178860,\"journal\":{\"name\":\"Medieval Nonsense\",\"volume\":\"06 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Medieval Nonsense\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1hw3xbk.7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Medieval Nonsense","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1hw3xbk.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter proposes that the anonymous poem St. Erkenwald should be recognized as a riddle, generated from a withheld word that is everywhere recognizable within it. The poem is engineered so as to set up, by formal means, a thought experiment that represents an intervention into some permanently and essentially unresolvable problems in the theory of signification: those of the theurgical and baptismal “characters.” Eluding scholarly attempts to reduce it to its supposed historical, political, or aesthetic stakes, Erkenwald would attain to the status of a properly literary work insofar as it constitutes in this manner a trap for interpretation.