后记

Yarí Pérez Marín
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引用次数: 0

摘要

这一部分反映了科学、医学、文学和艺术之间的相互融合,在16世纪之后巩固了新世界的身份和话语。它邀请读者思考殖民时期拉丁美洲文化史上的杰出人物,如作家印加·加西拉索·德拉维加、博学的索尔·胡安娜·因萨梅斯·德拉克鲁兹和画家米格尔·卡布雷拉,讨论他们与早期解剖学和生理学文本的一些联系。结语为重新定义《医学奇迹》中研究的医学文本提供了一个案例,将其作为殖民修辞、科学和文学对象的早期矩阵,为未来殖民主体在全球知识生产的更大背景下的身份感绘制了一条路线。
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Epilogue
This section reflects on the cross-fertilisation between science, medicine, literature and art in the consolidation of New World identity and discourse, beyond the sixteenth century. It invites readers to consider towering figures in the cultural history of colonial Latin America, such as writer Inca Garcilaso de la Vega, polymath Sor Juana Inés de la Cruz and painter Miguel Cabrera, discussing some of their connections to earlier texts on anatomy and physiology. The epilogue makes a case for redefining the medical texts studied in Marvels of Medicine as early matrixes of colonial rhetoric, scientific and literary objects that charted a course for future colonial subjects’ sense of identity in relation to the larger context of global knowledge production.
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Conclusion Irreconcilable differences? Epilogue Conclusion Works cited
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