就像在过去:关于作品,我需要一个房间来接待5000人举起酒杯,或者,多么美好的一天,鸟儿在唱哈利路亚,安娜·索科洛维奇

New Sound Pub Date : 1900-01-01 DOI:10.5937/newso2055201m
Ivana Miladinović-Prica
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引用次数: 0

摘要

文章讨论了塞尔维亚裔加拿大作曲家Ana sokoloviki (Ana sokoloviki)为大型室内乐合奏创作的作品《and I need a room》(2013),灵感来自前贝尔格莱德摇滚乐队Ekatarina Velika (EKV, Ekatarina Velika, EKV;《叶卡捷琳娜大帝》)。这部作品献给了前南斯拉夫80年代的城市一代,在作者的作品中占有独特的地位,一方面,它开启了一个关于她自己青年时代的记忆世界,另一方面,它传递了一个关于EKV音乐所掌握的大量文化资本的信息,此外,关于它对她来说所代表的一切。这位作曲家与前南斯拉夫最有影响力的摇滚乐队之一的音乐之间的存在联系,在这首曲子中体现了她自己的创作过程,实现了后现代主义的游戏原则,这实际上导致了通过模拟电子音乐媒介的工作过程来消除作品的参考材料的意义。
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Like in the old days: Concerning the piece …and I need a room to receive five thousand people with raised glasses… or …what a glorious day, the birds are singing 'halleluiah'…by Ana Sokolović
The article offers a discussion of …and I need a room… (2013), a piece for large chamber ensemble by Serbo-Canadian composer Ana Sokolović (Ana Sokolović), inspired by songs by the former Belgrade rock band Ekatarina Velika (EKV, Ekatarina Velika, EKV; "Catherine the Great"). Dedicated to the 1980s urban generations of former Yugoslavia, the work occupies a unique place in its author's oeuvre, by virtue of opening, on the one hand, a world of memory concerning her own youth, and relaying, on the other hand, a message about the large amount of cultural capital that the music of EKV commands and, furthermore, about all that it represents for her. The composer's existential bond with the music made by one of former Yugoslavia's most influential rock acts informs her own creative procedures in this piece, actualizing the postmodernist principle of play, which in fact results in voiding the work's referential material of meaning by means of a procedure that simulates working in the medium of electronic music.
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