Alessandro Garcia Paulino, C. Ribeiro, N. Dinis
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摘要

在这篇文章中,我们打算讨论女同性恋和电影院,从“水的想象”,“壁橱”和“异托邦”的概念交织。这篇文章的目的是分析电影院和性领域之间的相遇,基于布鲁诺·巴雷托执导的电影《去月球》(2013)中的三个场景剪辑。在这种情况下,我们将电影院理解为一种视觉文化教学法的发明者,它从其称呼方式中揭示了主体性和存在模式。图像的分析基于场景可视化,并从理论框架的交叉点出发。最后,《探月之旅》(2013)的故事被证明是引人入胜的,它的主题是问题化和分析,考虑到女性之间的爱、“水”、图像中存在的身体的空间性和地理位置。
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Flores Raras: lesbianidades e as espacialidades de armários e heterotopias
In this article, we intend to discuss lesbianity and movie theater, interweaving concepts from the ‘imaginary of waters’, ‘closets’ and ‘heterotopias ’ . This writing has an objective to analyze the encounter between movie theater and the field of sexualities based on three clippings from scenes in the movie Reaching for the Moon (2013), direction by Bruno Barreto . In this case, we understand movie theater as an inventor of a pedagogy of look, the visual culture, which reveals subjectivities and modes of existence from its addressing ways. The analysis of the images was based on the scenes visualization as well as from the intersection with the theoretical framework. Finally, the story of Reaching for the Moon (2013) proved to be engaging and the subject of problematization and analysis taking into account the love between women, ‘the water’, the spatialities and the geographies of the bodies present in the images.
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