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The Illusionist, D. Hart
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引用次数: 2

摘要

在我看来,我们以前走过这条路。有些路标也许是新的——“细菌”、“巴赫”等等——但风景看起来很熟悉,尽管现在有些杂草丛生,很难不觉得这条路就是丹尼尔·丹尼特走过了50年的那条路。我想对其他事情抱有期望是愚蠢的。通常情况下,正是我们没有提出的问题——也就是我们没有改变的假设——决定了我们争论的方向;丹尼特在他职业生涯的大部分时间里都在刻意回避同样的问题。从某种意义上说,从《从细菌到巴赫再到巴赫》的整个逻辑(当然,不是所有重复的细节)可以简单地从丹尼特在364页的含蓄承认中预测出来,即在笛卡尔之前没有任何心灵哲学家对他的思想有任何影响。关于这一问题的整个前现代传统——亚里士多德、普罗提诺、经院派、菲西诺等等——几乎不能算作序言。这意味着,无论他出发多少次,他所有的旅程都只能穿越同一块智力领地。毕竟,正如丹尼特所说,笛卡尔之所以引人注目,并不是因为他的视觉特别“生动而引人注目”——与早期理论的精妙相比,他的视觉显得粗糙、怪异和平庸——而仅仅是因为在他之前,没有人试图系统地将精神现象置于一个被理解为无意识机器的宇宙中。就这样,精神的“问题”诞生了。
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The Illusionist:
It seems to me that we have come this way before. Some of the signposts are new, perhaps — “Bacteria,” “Bach,” and so on — but the scenery looks very familiar, if now somewhat overgrown, and it is hard not to feel that the path is the same one that Daniel Dennett has been treading for five decades. I suppose it would be foolish to expect anything else. As often as not, it is the questions we fail to ask — and so the presuppositions we leave intact — that determine the courses our arguments take; and Dennett has been studiously avoiding the same set of questions for most of his career. In a sense, the entire logic of From Bacteria to Bach and Back (though not, of course, all the repetitious details) could be predicted simply from Dennett’s implicit admission on page 364 that no philosopher of mind before Descartes is of any consequence to his thinking. The whole pre-modern tradition of speculation on the matter — Aristotle, Plotinus, the Schoolmen, Ficino, and so on — scarcely qualifies as prologue. And this means that, no matter how many times he sets out, all his journeys can traverse only the same small stretch of intellectual territory. After all, Descartes was remarkable not because, as Dennett claims, his vision was especially “vivid and compelling” — in comparison to the subtleties of earlier theories, it was crude, bizarre, and banal — but simply because no one before him had attempted systematically to situate mental phenomena within a universe otherwise understood as a mindless machine. It was only thus that the “problem” of the mental was born.
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David Jones: The Shock of the Real: The Illusionist: Tradition and Authority: A Sense of Style:
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