乔治·g·布斯贷款收藏的新铜像

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近年来,很少有当代美国画家能比本森先生获得更大的荣誉。在巴黎跟随布朗热和列斐伏尔学习后,他回到了这个国家,并致力于祖国的主题。如果说美国在绘画上有一种民族性的表现,那就是本森这样的画家所推动的。1897年成为国家科学院院士,1905年成为国家院士。他是美国十大画家之一;他获得的奖项包括:第三届哈伦加滕奖,国家艺术与文学研究所,1889年;克拉克奖,国家科学院,1891年;哥伦比亚博览会奖章,芝加哥,1893年;美国艺术家协会,纽约,1896;1900年巴黎博览会银奖;泛美博览会银奖,布法罗,1901年;利平科特奖,宾夕法尼亚学院,1903年;两枚金牌,圣路易斯博览会,1904年;普罗克特奖,国家科学院,1906年;1908年宾夕法尼亚学院金奖。几乎所有的美国博物馆都把本森的一幅画列为永久收藏。
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NEW BRONZES IN THE GEORGE G. BOOTH LOAN COLLECTION
Few of our contemporary American painters have been more honored in recent years than Mr. Benson. After studying in Paris under Boulanger and Lefebvre, he returned to this country and has devoted himself to the subjects of his native land. If America has a national manifestation in painting, it has been furthered by such painters as Benson. He was made an associate of the National Academy in 1897 and a National Academician in 1905. He is a member of The Ten American Painters; National Institute of Arts and Letters and numbers among his awards the following: Third Hallengarten Prize, National Academy, 1889; Clarke Prize, National Academy, 1891; Columbian Exposition Medal, Chicago, 1893; Society of American Artists, N. Y., 1896; Silver Medal, Paris Exposition, 1900; Silver Medal Pan-American Exposition, Buffalo, 1901 ; Lippincott Prize, Pennsylvania Academy, 1903; two Gold Medals, St. Louis Exposition, 1904; Proctor Prize, National Academy, 1906; Gold Medal Pennsylvania Academy, 1908. Nearly all of the American Museums number one of Benson's pictures among their permanent collections.
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A GROUP OF ORIENTAL RUGS A XVI CENTURY PAINTING BY BARTOLOMMEO RAMENGHI REVIEW OF THE WORK OF THE CHILDREN'S MUSEUM PAINTING BY F. C. FRIESEKE ACQUIRED LOAN COLLECTION OF SMALL OBJETS D' ART
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