在前期制作过程中组织、策划和发展视觉风格

Oluyinka Smart Babalola
{"title":"在前期制作过程中组织、策划和发展视觉风格","authors":"Oluyinka Smart Babalola","doi":"10.4314/ijcrh.v26i1.21","DOIUrl":null,"url":null,"abstract":"The screen director is the originator of the artistic vision and a repository of requisite knowledge and craft needed to bring all the arts and technology of filmmaking together. To be effective, the screen director must master the technology of film and learn how to manipulate the essential elements of the film form across the different stages of production. This paper outlines the processes and personnel needed to help the director achieve his/her duties optimally during the preproduction stage of filmmaking. This study from a participant-observer point of view developed as a result of years of experience in film production and pedagogy, describes practically, the various aspects of pre-production planning. From the shooting plan, which is a practical expression of the director’s vision of the script, to the creative decisions that emanate from that vision through a deep understanding of the theme or subject matter, the director creates a shooting script from the screenplay that is used by the producer and all departmental heads. The actordirector relationship is also very important to film production and this starts from the point of an actor auditioning for a role in a film. The rehearsal, which is the final stage of pre-production, is very crucial to filmmaking and every reasonable director rehearses the cast before principal photography. Working with colour, contrast, tone, pattern, etc., in choosing fabrics and materials, the costume, makeup, hairdressing and props team keys into the overall look of the film, in consultation with the director and the producer. This guide also explains the aspects of the schedule, budget, location, crewing and how it concerns the screen director. Everything about the film is concluded on paper well before production. From screenplay/rewrites, shooting script, floorplans, shooting plans, shot list, design sketches, lighting plots, camera movements and angles, through hiring crew; selecting and testing equipment, to location recce; auditioning and casting etc., a hardworking director makes adequate preparation at the pre-production stage.","PeriodicalId":297503,"journal":{"name":"International Journal of Current Research in the Humanities","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Organizing, Planning and Developing Visual Style in Screen Directing during Pre-Production\",\"authors\":\"Oluyinka Smart Babalola\",\"doi\":\"10.4314/ijcrh.v26i1.21\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The screen director is the originator of the artistic vision and a repository of requisite knowledge and craft needed to bring all the arts and technology of filmmaking together. To be effective, the screen director must master the technology of film and learn how to manipulate the essential elements of the film form across the different stages of production. This paper outlines the processes and personnel needed to help the director achieve his/her duties optimally during the preproduction stage of filmmaking. This study from a participant-observer point of view developed as a result of years of experience in film production and pedagogy, describes practically, the various aspects of pre-production planning. From the shooting plan, which is a practical expression of the director’s vision of the script, to the creative decisions that emanate from that vision through a deep understanding of the theme or subject matter, the director creates a shooting script from the screenplay that is used by the producer and all departmental heads. The actordirector relationship is also very important to film production and this starts from the point of an actor auditioning for a role in a film. The rehearsal, which is the final stage of pre-production, is very crucial to filmmaking and every reasonable director rehearses the cast before principal photography. Working with colour, contrast, tone, pattern, etc., in choosing fabrics and materials, the costume, makeup, hairdressing and props team keys into the overall look of the film, in consultation with the director and the producer. This guide also explains the aspects of the schedule, budget, location, crewing and how it concerns the screen director. Everything about the film is concluded on paper well before production. From screenplay/rewrites, shooting script, floorplans, shooting plans, shot list, design sketches, lighting plots, camera movements and angles, through hiring crew; selecting and testing equipment, to location recce; auditioning and casting etc., a hardworking director makes adequate preparation at the pre-production stage.\",\"PeriodicalId\":297503,\"journal\":{\"name\":\"International Journal of Current Research in the Humanities\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-02-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Current Research in the Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4314/ijcrh.v26i1.21\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Current Research in the Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4314/ijcrh.v26i1.21","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

电影导演是艺术视野的创始者,也是将电影制作的所有艺术和技术结合在一起所必需的知识和工艺的储存库。为了达到效果,银幕导演必须掌握电影技术,学习如何在不同的制作阶段操纵电影形式的基本元素。本文概述了在电影制作的前期制作阶段,帮助导演最佳地完成他/她的职责所需的流程和人员。这项研究从参与者-观察者的角度出发,根据多年的电影制作和教学经验,实际地描述了制作前规划的各个方面。从拍摄计划(这是导演对剧本愿景的实际表达),到通过对主题或题材的深刻理解而产生的创意决策,导演从剧本中创建一个拍摄脚本,供制片人和所有部门主管使用。演员和导演的关系在电影制作中也很重要,这从演员试镜电影角色开始。排练是前期制作的最后阶段,对电影制作非常重要,每一个理性的导演都会在主要拍摄前排练演员。色彩、对比、色调、图案等,在选择面料和材料时,服装、化妆、美发和道具团队在与导演和制片人协商后,将重点放在电影的整体外观上。本指南还解释了时间表、预算、地点、工作人员以及它与银幕导演的关系。关于这部电影的一切在开拍前就已经写在纸上了。从剧本/重写,拍摄脚本,平面图,拍摄计划,拍摄清单,设计草图,灯光情节,镜头移动和角度,到招聘工作人员;设备选型、检测、定位;试镜、选角等等,勤奋的导演在制作前期就做好了充分的准备。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Organizing, Planning and Developing Visual Style in Screen Directing during Pre-Production
The screen director is the originator of the artistic vision and a repository of requisite knowledge and craft needed to bring all the arts and technology of filmmaking together. To be effective, the screen director must master the technology of film and learn how to manipulate the essential elements of the film form across the different stages of production. This paper outlines the processes and personnel needed to help the director achieve his/her duties optimally during the preproduction stage of filmmaking. This study from a participant-observer point of view developed as a result of years of experience in film production and pedagogy, describes practically, the various aspects of pre-production planning. From the shooting plan, which is a practical expression of the director’s vision of the script, to the creative decisions that emanate from that vision through a deep understanding of the theme or subject matter, the director creates a shooting script from the screenplay that is used by the producer and all departmental heads. The actordirector relationship is also very important to film production and this starts from the point of an actor auditioning for a role in a film. The rehearsal, which is the final stage of pre-production, is very crucial to filmmaking and every reasonable director rehearses the cast before principal photography. Working with colour, contrast, tone, pattern, etc., in choosing fabrics and materials, the costume, makeup, hairdressing and props team keys into the overall look of the film, in consultation with the director and the producer. This guide also explains the aspects of the schedule, budget, location, crewing and how it concerns the screen director. Everything about the film is concluded on paper well before production. From screenplay/rewrites, shooting script, floorplans, shooting plans, shot list, design sketches, lighting plots, camera movements and angles, through hiring crew; selecting and testing equipment, to location recce; auditioning and casting etc., a hardworking director makes adequate preparation at the pre-production stage.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Exploring the Practice of Victim-Offender Mediation, to Proceed or Retrieve: The Case of Ghana An Evaluation of Dramatic Elements in Selected Television Advertisements in Nigerian Media Space Interrogating Nationalist Ideologies in Nigerian Drama: A Textual Analysis of Esiaba Irobi’s Hangmen Also Die Integrating Indigenous and Western Health Practices as Synergy for African Development in the Globalization Era: The Nigerian Example Nigerian Dramatists and the Postcolonial Dreams: Poetics of Ethnic Unity in Diversity
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1