20世纪30年代Msterskaya和Kholuyskaya漆器微型艺术品展览活动。

D. Lavrov
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引用次数: 0

摘要

本研究的主题是分析20世纪30年代Msterskaya和Kholuyskaya漆器微型艺术博物馆的展览活动-这是俄罗斯民间文化中这些著名工艺品的起源和形成时期。本文的目的是通过这些工艺品参与苏联和国外展览项目的例子来展示苏联国家在民间艺术发展中的有益作用。作者将20世纪30年代的事件与现代俄罗斯漆器工艺的现状进行了比较,并建议利用苏联对漆器微型工艺的信息和组织援助的经验来克服当前的危机。作者采用比较分析的方法,以及历史和系统的研究方法,展示了20世纪30年代Msterskaya和Kholuiskaya艺术工作室展览实践的成功,以及苏联国家当局对漆器工艺的支持。这项研究的科学新颖性在于试图克服当前俄罗斯漆器工艺危机状态的流行观点,这种危机状态是由于缺乏“创新”的领导。笔者的立场是,首先应该在国家对俄罗斯漆器工艺缺乏真正支持的大环境下寻找这种危机状态的原因,这是文章的主要结论。
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Exhibition activity of the art crafts of the Msterskaya and Kholuyskaya lacquer miniatures in the 1930s.
The subject of this study is the analysis of the exhibition activities of the Msterskaya and Kholuyskaya artels of lacquer miniature in the 1930s - the period of the origin and formation of these famous crafts of Russian folk culture. The purpose of this article is to show the beneficial role of the Soviet state in the development of folk art by the example of the participation of these crafts in Soviet and foreign exhibition projects. The author compares the events of the 1930s with the state of lacquer crafts in modern Russia and suggests using the Soviet experience of informational and organizational assistance to lacquer miniature crafts to overcome their current state of crisis. Using the method of comparative analysis, as well as the historical and systematic method of research, the author shows the success of the exhibition practices of the Msterskaya and Kholuiskaya artels in the 1930s, as well as the support provided to lacquer crafts by the state authorities of the USSR. The scientific novelty of the study consists in an attempt to overcome the prevailing view of the current crisis state of Russian lacquer crafts as a result of only insufficient "innovative" leadership on the ground. The author's position is that the reason for such a crisis state should be sought, first of all, in the general situation of the lack of real support for Russian lacquer crafts from the state, which is the main conclusion of the article.
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