都市日常生活的激情

B. Fraser
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摘要

本章继续探讨漫画对现代城市街道生活的描绘。讨论集中在二十世纪和二十一世纪,并通过人类激情的镜头进行。首先,比利时艺术家弗兰斯·马塞里尔(Frans Masereel)的无字小说是早期漫画的城市遗产的另一个典型例子。威尔·艾斯纳(Will Eisner)的三部曲以公寓生活为舞台,展现了犹太裔美国人在纽约的城市经历。朱莉·杜塞(Julie Doucet)的《我的纽约日记》(1993-98)将艺术家的女权主义承诺与城市异化和陷阱的主题融合在一起。在21世纪的马德里,西班牙,拉奎尔Córcoles Moncusí又名“现代普韦布洛人”和拉斐尔Martínez卡斯特拉诺斯探索浪漫和性激情,因为他们与女性和同性恋城市居民的社会身份一致。最后,当代艺术家戴舒·马的《叶子》在近一百年后回归了弗兰斯·马塞里尔风格的标志性方面。
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THE PASSIONS OF EVERYDAY URBAN LIFE
This chapter continues to explore the comics depiction of life on the modern city streets. Discussion concentrates on the twentieth and twenty-first centuries, and is carried out through the lens of the human passions. First, the wordless novels by Belgian artist Frans Masereel serve as yet another paradigmatic example of the urban legacy of early comics. Will Eisner’s trilogy uses tenement life as a stage for the Jewish American urban experience of New York. My New York Diary (1993-98) by Julie Doucet blends the artist’s feminist commitment with themes of urban alienation and entrapment. In twenty-first-century Madrid, Spain, Raquel Córcoles Moncusí a.k.a. ‘Moderna de pueblo’ and Rafael Martínez Castellanos explore romantic and sexual passions as they line up with the social identities of women and gay urbanites. Finally, contemporary artist Daishu Ma’s Leaf returns to hallmark aspects of Frans Masereel’s style nearly one-hundred years later.
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CONCLUSION Back Matter ACKNOWLEDGMENTS URBAN PLANNING, BUILT ENVIRONMENT, AND THE STRUCTURE OF CITIES DANGER, DISEASE, AND DEATH IN THE GRAPHIC URBAN IMAGINATION
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