{"title":"黑暗。","authors":"A. Sanders","doi":"10.4324/9781003160540-44","DOIUrl":null,"url":null,"abstract":"Often self-consciously, poetry now reassumes its ancient forms. When at Antioch College in the autumn of 1970 Robert Bly began a reading with an American Indian peyote chant, he seemed merely to be accepting a hip convention almost expected by an audience accustomed to Ginsberg and Snyder. Bly chanted for the usual reason, \"to lower the consciousness down, until it gets into the stomach and into the chest and farther on.\" But no such convention had existed in the","PeriodicalId":246584,"journal":{"name":"The Companion To ‘A Tale of Two Cities’","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Darkness.\",\"authors\":\"A. Sanders\",\"doi\":\"10.4324/9781003160540-44\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Often self-consciously, poetry now reassumes its ancient forms. When at Antioch College in the autumn of 1970 Robert Bly began a reading with an American Indian peyote chant, he seemed merely to be accepting a hip convention almost expected by an audience accustomed to Ginsberg and Snyder. Bly chanted for the usual reason, \\\"to lower the consciousness down, until it gets into the stomach and into the chest and farther on.\\\" But no such convention had existed in the\",\"PeriodicalId\":246584,\"journal\":{\"name\":\"The Companion To ‘A Tale of Two Cities’\",\"volume\":\"18 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Companion To ‘A Tale of Two Cities’\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4324/9781003160540-44\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Companion To ‘A Tale of Two Cities’","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9781003160540-44","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Often self-consciously, poetry now reassumes its ancient forms. When at Antioch College in the autumn of 1970 Robert Bly began a reading with an American Indian peyote chant, he seemed merely to be accepting a hip convention almost expected by an audience accustomed to Ginsberg and Snyder. Bly chanted for the usual reason, "to lower the consciousness down, until it gets into the stomach and into the chest and farther on." But no such convention had existed in the
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