20世纪60年代韩国科幻怪物电影与东北亚电影交流与关系的几个方面

Chungbeom Ham
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摘要

▽20世纪60年代韩国科幻怪物电影与东北亚电影交流与关系:汉阳大学现代电影研究所教授咸钟范通过《吃铁的怪物:Bulgasari》(1962年)、《大怪物王马威》(1967年)、《深海怪物永利》(1967年)等3部电影,分析了20世纪60年代韩国科幻怪物电影与东北亚电影交流与关系的各个方面。上面的电影都是一个有着奇怪动物外表的怪物,所以它们都可以被归类为“怪物电影”。而且,在20世纪60年代的企划和制作过程中,它不寻常地尝试引入特效,这一事实也受到了日本电影《哥斯拉》(1954年)的影响,这一点不容忽视。另一方面,以《吃铁的怪物:Bulgasari》为代表的“历史”怪物电影与《大怪物王马威》、《永利》、《来自深处的怪物》等科幻怪物电影相融合,韩日电影关系和交流日益升温。此外,这些电影背后的故事反映了国家主导的反共沙文主义和民族主义得到加强的20世纪60年代韩国社会的特征。此外,在《吃铁的怪物:保加利亚》中,时隔20多年,再次揭示了国际交流和关系。
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1960s Korean SF Monster Movies and the Aspects of Film Exchange and Relationship in Northeast Asia
1960s Korean SF Monster Movies and the Aspects of Film Exchange and Relationship in Northeast Asia Ham, Chung Beom Research Professor / Contemporary Cinema Research Institute, Hanyang University This article examines the aspects of Korean SF monster films and cinematic exchange and Relationship in Northeast Asia during the 1960s through three movies titled The Iron-eating Monster: Bulgasari (1962), Big Monster Wangmagwi (1967) and Yongary, Monster from the Deep (1967). The movies above feature a monster with a strange animal appearance, so all of them may be categorized as “monster movie”. And, the fact that its unusual attempt to introduce special effects during its planning and production in 1960s was influenced by a Japanese movie Godzilla (1954) cannot be ignored. On the other hand, “historical” monster films represented by The Iron-eating Monster: Bulgasari converged on SF monster films including Big Monster Wangmagwi and Yongary, Monster from the Deep, cinematic relationship and exchange between Korea and Japan got heated up. Moreover, the stories behind these films indicate the character of Korean society in the 1960s when the state-led anticommunist jingoism and nationalism were strengthened. In addition, in the case of The Iron-eating Monster: Bulgasari, after more than 20 years, again reveals international exchange and relationship.
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