在身份的十字路口寻找自我:小说和现实,特别是Ne Te retour Pas De Maissa BEY

Aini Betouche
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摘要

《归途》讲述的是一个在地震和身份危机中受害的小女孩的故事。这也是阿米娜的故事,她试图通过一些悲惨的故事来“解开”她过去存在的线索,包括达达·艾莎、穆拉德、纳迪亚和萨拉。在这篇文章中,我们试图审视阿米娜在几个身份的十字路口。她会是阿米娜,一个忙碌的企业家的女儿,一个未来的立法者,一个顺从的母亲,还是一个原教旨主义的兄弟?会不会是阿米娜为了逃避包办婚姻,15天就离家出走了?她会是女仆阿米娜的侄女吗?她会是埃尔·瓦希达吗?艾夏爸爸发现她已经湮灭了,“躺在路上,蜷缩着,冻得僵硬”?或者她是敦雅的女儿阿米娜?在这些文本细节的光照下,我们将试图强调身份的多元性,这是在寻找自我的过程中,从角色身份的碎片中出现的。作者勾勒出个人及其社会的轮廓。2003年的地震和阿米娜的失忆只是一个处理过去记忆的借口,现在的阿尔及利亚被大型猫科动物所困扰,这些猫科动物已经屈服于角色的母亲,她最终成功地解放了自己,并让她的女儿战胜了父权计划。因此,要把握文本的意义,神话分析的数据将使意义的否定成为可能。世界末日的神话、创造的神话和重生的神话产生了另一个文本,在这个文本中,阿米娜经历了象征性的死亡,并演变成两次重生;一个和艾夏爸爸在一起,另一个和唐娅在一起。
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Une Quete De Soi Au Carrefour Des Identites:, Fiction ET Realite Dans Surtout Ne Te Retourne Pas De Maissa BEY
Surtout ne te retourne pas is the story of a young girl victim of an earthquake and an identity crisis. It is also the story of Amina, the amnesiac who tries to "unravel the threads" of her past existence through some tragic stories, including that of Dada Aicha, Mourad, Nadia, and Sarah. In this article, we seek to examine Amina at the crossroads of several identities. Would she be Amina, the daughter of a so busy entrepreneur with his status as a future legislator, a submissive mother, or a fundamentalist brother? Would it be Amina who ran a runaway at 15 days to escape her arranged marriage? Would she be Amina the maid's niece? Would she be El Wahida that Dadda Aicha finds annihilated, "lying on the road, curled up, frozen, and rigid"?. Or is she Amina the daughter of Dounya? In the light of these textual details, we will try to highlight the plurality of identity, which emerge from a fragmentation of the identities of the character in search of the self. The writer traces sketches of the individual and her society. The 2003 earthquake and Amina's amnesia are only a pretext for dealing with the past memory, of the present of an Algeria plagued by big cats, which have submitted the mother of the character, who succeeds finally free herself and to allow her daughter to outwit the patriarchal projects. Thus, to grasp the meaning of the text, the mythanalytic data will make it possible to turn down the meaning. The myth of the end of the world, the myth of creation and the myth of rebirth have given birth to another text in which Amina experiences a symbolic death, which evolves into two rebirths; one with Dadda Aicha, the other with Dounya.
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