{"title":"从单方面的支持向相互伙伴关系的变迁","authors":"W. Lee","doi":"10.36775/kjpm.2022.30.77","DOIUrl":null,"url":null,"abstract":"Over twenty-five years have elapsed since Korean popular music (K-pop) has become popular outside South Korea. As it has become a global cultural phenomenon, the way K-pop fans support K-pop has also changed. K-pop fans unilaterally supported their music in the 1990s. However, K-pop fandom today forms a mutually inspired and admiring partnership with their favorite stars. This paper examines the evolution of K-pop fandom from the 1990s to the present by focusing on how it transforms from an example of a para-social interaction as proposed by Horton and Wohl to an example of Partha Chatterjee’s civil society. Furthermore, the author suggests that K-pop fandom today can be understood as an example of what Michael Warner refers to as a public.","PeriodicalId":165088,"journal":{"name":"The Korean Association for the Study of Popular Music","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"일방적 지지에서 상호 동반자 관계로의 변천\",\"authors\":\"W. Lee\",\"doi\":\"10.36775/kjpm.2022.30.77\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Over twenty-five years have elapsed since Korean popular music (K-pop) has become popular outside South Korea. As it has become a global cultural phenomenon, the way K-pop fans support K-pop has also changed. K-pop fans unilaterally supported their music in the 1990s. However, K-pop fandom today forms a mutually inspired and admiring partnership with their favorite stars. This paper examines the evolution of K-pop fandom from the 1990s to the present by focusing on how it transforms from an example of a para-social interaction as proposed by Horton and Wohl to an example of Partha Chatterjee’s civil society. Furthermore, the author suggests that K-pop fandom today can be understood as an example of what Michael Warner refers to as a public.\",\"PeriodicalId\":165088,\"journal\":{\"name\":\"The Korean Association for the Study of Popular Music\",\"volume\":\"19 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-11-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Korean Association for the Study of Popular Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36775/kjpm.2022.30.77\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Korean Association for the Study of Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36775/kjpm.2022.30.77","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Over twenty-five years have elapsed since Korean popular music (K-pop) has become popular outside South Korea. As it has become a global cultural phenomenon, the way K-pop fans support K-pop has also changed. K-pop fans unilaterally supported their music in the 1990s. However, K-pop fandom today forms a mutually inspired and admiring partnership with their favorite stars. This paper examines the evolution of K-pop fandom from the 1990s to the present by focusing on how it transforms from an example of a para-social interaction as proposed by Horton and Wohl to an example of Partha Chatterjee’s civil society. Furthermore, the author suggests that K-pop fandom today can be understood as an example of what Michael Warner refers to as a public.