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摘要

本文描述了巴斯克传统文化特征在20世纪和21世纪初的视觉艺术和乌拉圭文学中的存在。同样,该研究解构了乌拉圭多元文化主义研究中应用的“文化遗产”概念。这种方法意味着一种文化层面的退化,即连续几代人(第一代、第二代、第三代和第四代)逐渐失去他们的“原始文化”。然而,巴斯克民族的文化特征出现在视觉艺术和文学中,是由第一代和第二代的后代塑造的。研究结果表明,在第二代、第三代、第四代的后代创作的作品中,某些文化表现形式可能会重新出现,而不是第一次来到这个国家的一代。总体上,本文从人类学的角度分析了乌拉圭巴斯克移民文化遗产的连续性。因此,这项工作提出了一个非线性的方法,巴斯克移民在这个国家的文化贡献。
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Creative Becomings
This article describes the presence of cultural traits of Basque tradition in the visual arts and Uruguayan literature of the 20th and early 21st centuries. Likewise, the research deconstructs the concept of “cultural legacy” applied in studies regarding multiculturalism in Uruguay. This approach implied a type of degradation at a cultural level, in which successive generations (first, second, third, and fourth) gradually lost their “original culture”. However, the cultural traits of the Basque ethnic group that appear in the visual arts and literature were shaped by the descendants of the first and second generations. The research demonstrates that certain cultural manifestations can re-emerge among the pieces created by the descendants of the second, third or fourth generation, rather than by the generation that arrived in the country for the first time. On the whole, the article analyses the continuum of the cultural legacy of Basque immigration in Uruguay from an anthropological point of view. As a result, the work presents a non-linear approach to the cultural contribution of Basque immigrants in this country.
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